tag:blogger.com,1999:blog-7020020108394025112024-03-13T07:38:37.106-07:00Cheryl Rondeauwww.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comBlogger36125tag:blogger.com,1999:blog-702002010839402511.post-87653615026773021332018-07-08T13:00:00.000-07:002020-11-15T15:23:59.261-08:00Ice Spider / ᓯᑰᑉ ᐋᓯᕙᖓ<div class="separator" style="clear: both; text-align: center;">
</div>
<div align="center" class="MsoNormal" style="font-family: Calibri; margin: 0cm 0cm 0.0001pt; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-dueTcc2ci_s/WyVSZPSU7gI/AAAAAAAAJnI/KckkjMP8RxEgD40wrP3-l5rura-AT_jKACLcBGAs/s1600/IceSpiderImage.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="915" data-original-width="1600" height="182" src="https://2.bp.blogspot.com/-dueTcc2ci_s/WyVSZPSU7gI/AAAAAAAAJnI/KckkjMP8RxEgD40wrP3-l5rura-AT_jKACLcBGAs/s320/IceSpiderImage.jpg" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="MsoNormal" style="font-family: Calibri; margin: 0cm 0cm 0.0001pt; text-align: left;">
<span style="font-family: "pigiarniq"; font-size: 10pt;">2018</span><br />
<span style="font-family: "pigiarniq"; font-size: 10pt;">Animation, 3min10sec, looped</span><br />
<span style="font-family: "pigiarniq"; font-size: 10pt;">Distributor </span><a href="http://www.vtape.org/video?vi=8938&_wpnonce=5b690bdfa7" style="font-family: pigiarniq; font-size: 10pt;" target="_blank">Vtape</a><span style="font-family: "pigiarniq"; font-size: 10pt;"></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt; text-align: right;">
<div style="font-family: calibri; text-align: center;">
<span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;"><b>WORLD PREMIERE</b></span></div>
<div style="font-family: calibri; text-align: center;">
<span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;"><b><a href="https://www.kurzfilmtage.de/en/">65th International Short Film Festival Oberhausen</a></b></span></div>
<div style="font-family: calibri; text-align: center;">
<span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;"><b><a href="https://www.kurzfilmtage.de/en/festival/competition-selection/">Children's and Youth Film Competition</a></b></span></div>
<div style="text-align: center;">
<div style="font-family: calibri;">
<span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;">1-6 May 2019</span><br />
<span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;">Thank you to the support of the <b>Canada Council for the Arts</b> </span><br />
<br /></div>
<div style="font-family: calibri;">
<span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;"><a href="https://www.artgalleryofhamilton.com/exhibition/this-is-moving-illustration-on-screen/">Art Gallery of Hamilton</a>, 21 June - 8 September 2019 in the exhibition <i>This is Moving: Illustration on Screen - </i>curator: Ryan Ferguson</span></div>
<span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;"><a href="https://www.reginalibrary.ca/dunlop-art-gallery/browse-exhibitions/1406306">Dunlop Art Gallery</a>, (Regina, Canada) 17 May - 11 July 2019 - curator: Blair Fornwald </span></div>
<div style="font-family: calibri;">
<br /></div>
</div>
<div class="MsoNoSpacing" style="font-family: Calibri; font-size: 11pt; margin: 0cm 0cm 0.0001pt;">
<i><span style="font-family: "pigiarniq"; font-size: 10pt;">Ice Spider </span></i><span style="font-family: "pigiarniq"; font-size: 10pt;">is a collaboration between Saimaiyu Akesuk (Cape Dorset, Nunavut) and Cheryl Rondeau (Toronto, Canada). Inspired by Akesuk’s iconic drawing entitled Red Spider (2014), this experimental short employs the technique of stop-motion animation while making reference to the actual behaviour of the Arctic Wolf Spider, a genus of arachnid common across the North. Climate change has resulted in larger populations and increased predatory tendencies of this carnivorous and cannibalistic spider. This sci-fi-influenced short animates the growing discourse around the ecological, political and cultural future of Canada’s Arctic. Background imagery was shot on location in Cape Dorset, Nunavut.<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="font-family: Calibri; font-size: 11pt; margin: 0cm 0cm 0.0001pt;">
<u><span style="font-family: "pigiarniq"; font-size: 10pt;">Drawings:</span></u><span style="font-family: "pigiarniq"; font-size: 10pt;">Saimaiyu Akesuk<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="font-family: Calibri; font-size: 11pt; margin: 0cm 0cm 0.0001pt;">
<u><span style="font-family: "pigiarniq"; font-size: 10pt;">Animation and Sound:</span></u><span style="font-family: "pigiarniq"; font-size: 10pt;">Cheryl Rondeau<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="font-family: Calibri; font-size: 11pt; margin: 0cm 0cm 0.0001pt;">
<u><span style="font-family: "pigiarniq"; font-size: 10pt;">Inuktitut Translation:</span></u><span style="font-family: "pigiarniq"; font-size: 10pt;">Nina Toonoo<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="font-family: Calibri; font-size: 11pt; margin: 0cm 0cm 0.0001pt;">
<u><span style="font-family: "pigiarniq"; font-size: 10pt;">Special Thanks:</span></u><span style="font-family: "pigiarniq"; font-size: 10pt;">Dorset Find Arts; Kinngait Studios; West Baffin Eskimo Cooperative<o:p></o:p></span><br />
<span style="font-family: "pigiarniq"; font-size: 10pt;"><br /></span></div>
<div class="MsoNormal" style="font-family: Calibri; margin: 0cm 0cm 0.0001pt;">
<span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;">ᓯᑰᑉ ᐋᓯᕙᖓ ᑲᑐᔾᔨᖃᑎᒌᒍᑕᐅᔪᖅ ᓴᐃᒻᒪᐃᔪ ᐊᑭᓱᒃ (ᑭᓐᖓᐃᑦ, ᓄᓇᕗᑦ) ᐊᒻᒪᓗ ᓯᐅᕈᓪ ᕋᓐᑐ (ᑐᕌᓐᑐ, ᑲᓇᑕ). ᐱᒋᐊᕈᑎᖃᖅᓯᒪᑦᓱᓂ ᐊᑭᓲᑉ ᑎᑎᖅᑐᒐᖅᓯᒪᔭᖓᓂᒃ ᑕᐃᔭᐅᔪᒥᒃ ᐊᐅᐸᖅᑐᖅ ᐋᓯᕙᒃ (2014), ᑖᓐᓇ ᐆᑦᑐᕋᐅᑕᐅᔪᖅ ᓇᐃᑦᑑᑦᓱᓂ ᐊᑐᖅᑐᖅ ᓄᖅᑲᖅᑕᖅᓱᓂ ᑎᑎᖅᑐᒐᓕᐊᖑᓯᒪᔪᖅ ᑕᑯᑦᓴᐅᑎᑦᓯᓯᓐᓈᖅᓱᓂ ᐱᐅᓯᓪᓚᕆᒋᓲᖓᓂᒃ ᐅᑭᐅᖅᑕᖅᑐᒥ ᐊᒪᕉᑉ ᐋᓯᕙᐅᑉ, ᐋᓯᕙᒃ ᐱᑕᖃᕋᔪᑦᑐᖅ ᐅᑭᐅᖅᑕᖅᑐᒥ. ᓯᓚ ᐊᓯᔾᔨᐸᓪᓕᐊᑎᓪᓗᒍ ᐊᒥᓱᓐᖑᐸᓪᓕᐊᓯᒪᔪᑦ ᓂᕿᑦᓴᖅᓯᐅᕐᓂᖅᓴᐅᓕᖅᓱᑎᓪᓗ ᑖᒃᑯᐊ ᓂᕿᑐᓲᑦ ᐋᓯᕙᐅᖃᑎᒥᓂᓪᓗ ᓂᕆᓲᖑᑦᓱᑎᒃ. ᑖᓐᓇ ᑐᑭᓯᓇᓱᐊᕐᓂᕐᒥᒃ ᐱᔾᔪᑎᖃᖅᓱᓂ ᓇᐃᑦᑐᖅ ᑕᑯᑦᓴᐅᑎᑦᓯᔪᖅ ᐊᓯᔾᔨᐸᓪᓕᐊᑐᐃᓐᓇᖅᑐᒥᒃ ᓯᓚᒨᖓᔪᑦ, ᒐᕙᒪᓄᑦ ᐊᒻᒪᓗ ᐱᖅᑯᓯᖅᑎᒍᑦ ᓯᕗᓂᑦᓴᖓᓄᑦ ᑲᓇᑕᐅᑉ ᐅᑭᐅᖅᑕᖅᑐᖓᑕ. ᑐᓄᐊᓃᑦᑐᑦ ᐊᔾᔩᑦ ᐊᔾᔨᓕᐊᖑᓯᒪᔪᑦ ᑭᓐᖓᕐᓂ, ᓄᓇᕗᒻᒥ. </span><span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;"> </span><span lang="EN-US" style="font-family: "pigiarniq"; font-size: 10pt;"><o:p></o:p></span></div>
<div class="MsoNormal" style="font-family: Calibri; margin: 0cm 0cm 0.0001pt;">
<u><span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;">ᑎᑎᖅᑐᒐᐃᑦ :</span></u><span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;">ᓴᐃᒻᒪᐃᔪ ᐊᑭᓱᒃ <u><o:p></o:p></u></span></div>
<div class="MsoNormal" style="font-family: Calibri; margin: 0cm 0cm 0.0001pt;">
<u><span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;">ᑎᑎᖅᑐᒐᓕᐅᕐᓂᖅ ᓂᐱᓕᕆᓂᕐᓗ :</span></u><span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;">ᓯᐅᕈᓪ ᕋᓐᑐᓪ </span><span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;"><o:p></o:p></span></div>
<div class="MsoNormal" style="font-family: Calibri; margin: 0cm 0cm 0.0001pt;">
<u><span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;">ᐃᓄᒃᑎᑑᓕᖅᑎᕆᔪᖅ :</span></u><span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;">ᓇᐃᓇ ᑐᓄ</span><span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;"><o:p></o:p></span></div>
<div class="MsoNormal" style="font-family: Calibri; margin: 0cm 0cm 0.0001pt;">
<u><span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;">ᖁᔭᓐᓇᒦᒃ :</span></u><span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;">ᑐᕌᓐᑐᒥ ᓴᓇᐅᒐᓕᕆᔨᒃᑯᑦ</span><span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;">;</span><span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;">ᑭᓐᖓᕐᓂ ᑎᑎᖅᑐᒐᕐᕕᒃ</span><span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;">; </span><span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;">ᑭᓐᖓᐃᑦ ᑯᐊᐸᒃᑯᖏᑦ</span><span lang="IKU" style="font-family: "pigiarniq"; font-size: 10pt;"><o:p></o:p></span></div>
<div class="MsoNormal" style="font-family: Calibri; margin: 0cm 0cm 0.0001pt;">
<br /></div>
<div class="MsoNormal" style="font-family: Calibri; margin: 0cm 0cm 0.0001pt; text-align: justify;">
<span style="font-family: "pigiarniq"; font-size: 10pt;">L’animation <i>Ice Spider </i>(l’Araignée de glace) est fruit d’une collaboration entre Saimaiyu Akesuk (Cape Dorset, Nunavut) et Cheryl Rondeau (Toronto, Canada). Avec pour point de départ le dessin iconique de Akesuk, <i>Red Spider</i>(L’araignée rouge, 2014), cette animation image par image fait référence au comportement observé en arctique de l’araignée-loup. Cette espèce d’arachnide se retrouve dans l’ensemble des contrées situées de l’arctique du nord.<o:p></o:p></span></div>
<div class="MsoNormal" style="font-family: Calibri; margin: 0cm 0cm 0.0001pt; text-align: justify;">
<span style="font-family: "pigiarniq"; font-size: 10pt;">Au lieu de tisser une toile, elle subvient à ses besoins en se jetant sur sa proie pour la dévorer. Les changements climatiques ont irrémédiablement entraîné une augmentation de l’espèce et ont exacerbé les tendances prédatrices de cette araignée carnivore et cannibale. <o:p></o:p></span></div>
<div class="MsoNormal" style="font-family: Calibri; margin: 0cm 0cm 0.0001pt; text-align: justify;">
<span style="font-family: "pigiarniq"; font-size: 10pt;">Influencé par la science-fiction, ce court-métrage vise à susciter le débat autour de l’avenir écologique, politique et culturel de l’arctique canadien. Les images de fond ont été capturées sur place à Cape Dorset dans le Nunavut.<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="font-family: Calibri; font-size: 11pt; margin: 0cm 0cm 0.0001pt;">
<u><span style="font-family: "pigiarniq"; font-size: 10pt;">Dessins:</span></u><span style="font-family: "pigiarniq"; font-size: 10pt;">Saimaiyu Akesuk<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="font-family: Calibri; font-size: 11pt; margin: 0cm 0cm 0.0001pt;">
<u><span style="font-family: "pigiarniq"; font-size: 10pt;">Animation et son:</span></u><span style="font-family: "pigiarniq"; font-size: 10pt;">Cheryl Rondeau<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="font-family: Calibri; font-size: 11pt; margin: 0cm 0cm 0.0001pt;">
<u><span style="font-family: "pigiarniq"; font-size: 10pt;">Traduction Inuktitut :</span></u><span style="font-family: "pigiarniq"; font-size: 10pt;">Nina Toonoo<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="font-family: Calibri; font-size: 11pt; margin: 0cm 0cm 0.0001pt;">
<u><span style="font-family: "pigiarniq"; font-size: 10pt;">Remerciements :</span></u><span style="font-family: "pigiarniq"; font-size: 10pt;">Dorset Find Arts; Kinngait Studios; West Baffin Eskimo Cooperative<o:p></o:p></span><br />
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://vimeo.com/256463459">ICE SPIDER</a> VIDEO</div>
</div>
www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-88246416224552605842018-07-01T11:35:00.000-07:002020-11-15T15:24:35.236-08:00Art<br />
<div style="text-align: left;">
<span lang="EN-US" style="font-family: "arial narrow"; font-size: 10.0pt;"><span lang="EN-US" style="font-family: "arial narrow"; font-size: 10.0pt;">Cheryl
Rondeau studied photography and video art at the Ontario College of Art, has a Bachelor of Arts </span><span lang="EN-US" style="font-family: "arial narrow"; font-size: 10.0pt;">in
Social/Cultural Anthropology from the University of Toronto and completed a Master of Fine Arts </span><span lang="EN-US" style="font-family: "arial narrow"; font-size: 10.0pt;">at
York University. </span>Her fine art photography and video art has been included in
exhibitions and festivals internationally. Click on image to view ...</span>
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.cherylrondeau.com/p/blog-page_9.html" target="_blank"><img alt="http://www.cherylrondeau.com/p/blog-page_9.html" border="0" height="323" src="https://4.bp.blogspot.com/-nMLgHJy2E8s/VroqZ2R60II/AAAAAAAAE8k/lwUAbK2EMzE/s640/ArtProjects.jpg" width="640" /></a></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-76285748884735928072018-06-30T12:10:00.000-07:002020-11-15T15:23:19.131-08:00Commercial Photography and Video work<div style="text-align: left;">
<style>
<!--
/* Font Definitions */
@font-face
{font-family:Arial;
panose-1:2 11 6 4 2 2 2 2 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}
@font-face
{font-family:"Arial Narrow";
panose-1:2 11 5 6 2 2 2 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:647 2048 0 0 159 0;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0cm;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Times New Roman";
mso-fareast-font-family:"Times New Roman";
mso-bidi-font-family:"Times New Roman";
mso-ansi-language:EN-US;
mso-fareast-language:ZH-CN;}
.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:10.0pt;
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;}
@page WordSection1
{size:612.0pt 792.0pt;
margin:72.0pt 90.0pt 72.0pt 90.0pt;
mso-header-margin:36.0pt;
mso-footer-margin:36.0pt;
mso-paper-source:0;}
div.WordSection1
{page:WordSection1;}
</style><span lang="EN-US" style="font-family: "arial narrow"; font-size: 10.0pt;">As a commercial photographer and
videographer, Rondeau's clients are a range of individuals and organizations in both the
public and private sectors. Click on image to view ...</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.cherylrondeau.com/p/blog-page_16.html" target="_blank"><img alt="http://www.cherylrondeau.com/p/photo-video.html" border="0" height="313" src="https://2.bp.blogspot.com/-PU_OHElbhzk/VrogAZDCtrI/AAAAAAAAE4s/CC0qZmEQnCo/s640/PHOTOVIDEO.jpg" title=" " width="640" /></a></div>
www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-26269071815633773272017-07-23T11:15:00.000-07:002018-08-08T13:29:17.691-07:00Filatures ... Biennale di Venezia 2017<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-DxtrdasJqAg/W14tAj1EPEI/AAAAAAAAJ4o/_cNkBQkBcP0JWXyJiYfeaF8gcWo9aSOIACLcBGAs/s1600/2017filaturesVenezia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://4.bp.blogspot.com/-DxtrdasJqAg/W14tAj1EPEI/AAAAAAAAJ4o/_cNkBQkBcP0JWXyJiYfeaF8gcWo9aSOIACLcBGAs/s640/2017filaturesVenezia.jpg" width="640" /></a></div>
<br />
<br />
2017<br />
performance/vidéo interactive, 14 min<br />
Avec Quitterie de Bernardi<br />
<i>English follows ...</i><br />
<div class="MsoNormal" style="font-family: Cambria; margin: 0cm 0cm 0.0001pt;">
<span lang="EN-US" style="color: #353535; font-family: "applesystemuifont";">Cette édition de la Biennale di Venezia comprend environ 900 oeuvres choisies par la Commissaire Christine Macel (conservatrice en chef du Centre Pompidou) exposées dans le pavillon international, situé dans les Giardini et l'Arsenale. Aussi à voir, les quatre-vingt-huit pavillons, qui représentent autant de pays dans toute la ville ainsi qu'une multitude d'expositions collatérales. <o:p></o:p></span></div>
<div class="MsoNormal" style="font-family: Cambria; margin: 0cm 0cm 0.0001pt;">
<span lang="EN-US" style="color: #353535; font-family: "applesystemuifont";">Pour explorer cette surabondance d’expositions, pavillions et performances etc., éparpiller un peu partout dans la ville de Venise je décide de suivre quelqu’un, de me laisser diriger par la curiosité d’un autre. En documentant son parcours par photos accélérées j'essaie de capturer la frénésie qu'inspire cette grand événement à tout voir et l'impossibilité de vraiment saisir ... <o:p></o:p></span><br />
<span lang="EN-US" style="color: #353535; font-family: "applesystemuifont";"><br /></span>
<span lang="EN-US" style="color: #353535; font-family: "applesystemuifont";"><i>This year, the Biennale di Venezia comprises some 900 artworks chosen by Curator Christine Macel (Chief Curator at the Centre Pompidou, France) exhibited in the international Pavilion located in both the Giardini and the Arsenale. Also on view the eighty-eight National pavilions along with a multitude of collateral exhibitions spread throughout the city. </i></span><br />
<span lang="EN-US" style="color: #353535; font-family: "applesystemuifont";"><i>In order to explore this plethora of exhibitions, pavilions and performances etc. scattered throughout the city of Venice I decide follow someone, let myself be guided by the curiosity of another. Documenting her journey via time-lapse video I attempt to capture the frenzy that such a huge event inspires to see everything and the impossibility to really take it all in.</i></span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/n0J0zdM4RRs/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/n0J0zdM4RRs?feature=player_embedded" width="320"></iframe></div>
<br />www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-88084347405002255682014-08-05T12:53:00.000-07:002014-08-23T13:17:21.324-07:00Border Studies: 43° 38′ 25.63″ N 79° 26′ 12.23″ W (Parkdale)<style>
<!--
/* Font Definitions */
@font-face
{font-family:"MS 明朝";
panose-1:0 0 0 0 0 0 0 0 0 0;
mso-font-charset:128;
mso-generic-font-family:roman;
mso-font-format:other;
mso-font-pitch:fixed;
mso-font-signature:1 134676480 16 0 131072 0;}
@font-face
{font-family:"MS 明朝";
panose-1:0 0 0 0 0 0 0 0 0 0;
mso-font-charset:128;
mso-generic-font-family:roman;
mso-font-format:other;
mso-font-pitch:fixed;
mso-font-signature:1 134676480 16 0 131072 0;}
@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0cm;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:EN-US;}
.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:EN-US;}
@page WordSection1
{size:612.0pt 792.0pt;
margin:72.0pt 90.0pt 72.0pt 90.0pt;
mso-header-margin:36.0pt;
mso-footer-margin:36.0pt;
mso-paper-source:0;}
div.WordSection1
{page:WordSection1;}
</style><i><span lang="EN-US">presented at the 16th Annual </span></i><a href="http://parkdaleshowcase.ca/" target="_blank"><span lang="EN-US">Parkdale Film & Video Showcase</span></a><i><span lang="EN-US">, August 2014</span></i><br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i><span lang="EN-US">
<style>
<!--
/* Font Definitions */
@font-face
{font-family:"MS 明朝";
panose-1:0 0 0 0 0 0 0 0 0 0;
mso-font-charset:128;
mso-generic-font-family:roman;
mso-font-format:other;
mso-font-pitch:fixed;
mso-font-signature:1 134676480 16 0 131072 0;}
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:1;
mso-generic-font-family:roman;
mso-font-format:other;
mso-font-pitch:variable;
mso-font-signature:0 0 0 0 0 0;}
@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0cm;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:EN-US;}
.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:EN-US;}
@page WordSection1
{size:612.0pt 792.0pt;
margin:72.0pt 90.0pt 72.0pt 90.0pt;
mso-header-margin:36.0pt;
mso-footer-margin:36.0pt;
mso-paper-source:0;}
div.WordSection1
{page:WordSection1;}
</style>
</span></i></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/2N0mL8V9axE?feature=player_embedded' frameborder='0'></iframe></div>
<div style="text-align: center;">
6 minute preview of 23 minute video</div>
<i><span lang="EN-US"> </span></i><br />
<div class="MsoNormal">
<i><span lang="EN-US">Border Studies: 43° 38</span></i><i><span lang="EN-US" style="font-family: Helvetica; mso-bidi-font-family: Helvetica;">′</span><span lang="EN-US"> 25.63</span></i><i><span lang="EN-US" style="font-family: Helvetica; mso-bidi-font-family: Helvetica;">″</span><span lang="EN-US"> N 79° 26</span></i><i><span lang="EN-US" style="font-family: Helvetica; mso-bidi-font-family: Helvetica;">′</span><span lang="EN-US"> 12.23</span></i><i><span lang="EN-US" style="font-family: Helvetica; mso-bidi-font-family: Helvetica;">″</span><span lang="EN-US"> W</span></i><span lang="EN-US"> is a physical and conceptual tracing of the perimeter
encircling those environs which comprise the community of Parkdale in Toronto
(Canada). Recorded during several early-morning bicycle journeys and using
three video cameras – one on either end of the handlebar and one on a helmet –
this route follows the neighbourhood’s bordering roads and pathways. The
resulting three-channel looped video is a snaking portrait of Parkdale’s frontiers,
which contains a notoriously diverse cultural and socio-economic population.
The act of tracking its boundaries initiates a poignant consideration of
geopolitics and civic dynamics while framing the notion of community as both
navigable site and elusive principle.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-dVJyWPdh6zM/U_jxMjXbs3I/AAAAAAAAEA4/vUDdGRUlsmk/s1600/ParkdaleMap.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-dVJyWPdh6zM/U_jxMjXbs3I/AAAAAAAAEA4/vUDdGRUlsmk/s1600/ParkdaleMap.jpg" height="320" width="247" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-dyGN08Q874Q/U_j2gDlaPLI/AAAAAAAAEBI/yg25sbf-WL8/s1600/documentation1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-dyGN08Q874Q/U_j2gDlaPLI/AAAAAAAAEBI/yg25sbf-WL8/s1600/documentation1.jpg" height="320" width="248" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-5T242TNneGI/U_j2hHEZRHI/AAAAAAAAEBQ/C5zJRbzP65A/s1600/documentation2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="http://4.bp.blogspot.com/-5T242TNneGI/U_j2hHEZRHI/AAAAAAAAEBQ/C5zJRbzP65A/s1600/documentation2.jpg" height="218" width="320" /></a></div>
<div class="MsoNormal">
<br /></div>
www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-78234658285051720682014-07-21T14:50:00.000-07:002020-03-04T06:39:39.677-08:00La Chute<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-CApW5xjDCdA/UlS3Q6n3loI/AAAAAAAADBo/1HT1e01Bi6A/s1600/chute01f.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://3.bp.blogspot.com/-CApW5xjDCdA/UlS3Q6n3loI/AAAAAAAADBo/1HT1e01Bi6A/s400/chute01f.jpg" width="400" /></a></div>
<div style="text-align: left;">
<div style="text-align: right;">
<div style="text-align: center;">
<i>Chute no. 1</i></div>
</div>
</div>
2013-2014<br />
série de 8 photographies/series of 8 photographs, 55cm X 55cm chaque/each<br />
<div class="MsoNormal" style="text-align: justify;">
<br />
<span lang="EN-GB" style="font-size: 11.0pt;">English follows ...</span><br />
<span lang="EN-GB" style="font-size: 11.0pt;">
<style>
<!--
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0cm;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Times New Roman";
mso-fareast-font-family:"Times New Roman";
mso-ansi-language:EN-GB;}
span.apple-converted-space
{mso-style-name:apple-converted-space;
mso-style-unhide:no;
mso-style-parent:"";}
.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:EN-US;}
@page WordSection1
{size:612.0pt 792.0pt;
margin:72.0pt 90.0pt 72.0pt 90.0pt;
mso-header-margin:36.0pt;
mso-footer-margin:36.0pt;
mso-paper-source:0;}
div.WordSection1
{page:WordSection1;}
</style>
</span></div>
<div class="MsoNormal">
<span lang="EN-GB" style="font-size: 11.0pt;"><i>La Chute</i> est une
série de photographies qui captent un scénario semblable dans une variété
d’environnements.<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"> </i></b>L’objectif de ma recherche est le geste de la chute dans une
multitudes d’espaces. Chaque photographie de cette série comprends mon corps en
train de précipiter d’un vélo dans des environnements anodins. <span style="background: white;">La photographie fixe l’instant de la chute</span>, ce
moment de collision et de la culmination des forces de gravité, l’équilibre, le
jugement et destin. En plus de cette négociation complexe, je suis fascinée par
la simplicité et le drame inhérent dans le geste de la chute. Implicite dans
mes actions sont l’incertitude, l’inattendu,<span class="apple-converted-space"> </span><span style="background: white;">et la perte, mais aussi embarrassante ou même libératrice</span>.
Dans cette série, il s’agit de tenter un sentiment de désarroi chez le
spectateur, de cette perte de contrôle, là où ce geste modeste évoque la
fragilité et la vulnérabilité du corps. Et à la fois loufoque, le rendant plus
absurde par sa répétition.</span></div>
<br />
<i><span lang="EN-GB" style="font-size: 11.0pt;">The photo series
entitled </span></i><span lang="EN-GB" style="font-size: 11.0pt;">La Chute</span><i><span lang="EN-GB" style="font-size: 11.0pt;"> <span style="color: black;">captures a specific scenario within a variety of outdoor
environments. In this series, the focus of my investigation is the gesture of
falling and I’ve made myself the subject of this study.</span> <span style="color: black;">These interventions, capture a moment of collision wherein
culminates the forces of gravity, balance, judgment and fate. But aside from
that complex negotiation, I am also fascinated by a counterpoint of simplicity
and drama inherent to this gesture. The fall is unexpected, uncontrolled and
potentially harrowing in its loss of control but can also be embarrassing and
even liberating. Using this gesture, I aim to build a space in which the viewer
experiences a sense of anxiety, by evoking the body’s frailty and vulnerability,
while simultaneously heightening its absurdity through serial repetition. </span></span></i><br />
<br />
<div style="text-align: center;">
<div style="-webkit-text-stroke-width: 0px; color: black; font-family: Times; font-size: medium; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: auto; text-align: center; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;">
</div>
<div style="text-align: right;">
<div style="text-align: center;">
<br />
<div style="text-align: center;">
</div>
<br />
<div class="separator" style="clear: both; margin: 0px; text-align: center;">
<i>Chute no. 2</i><a href="http://4.bp.blogspot.com/-aS8FrMbqPC0/UlS3Sf1p0kI/AAAAAAAADBo/hFdhZ75jFOU/s1600/chute07f.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://4.bp.blogspot.com/-aS8FrMbqPC0/UlS3Sf1p0kI/AAAAAAAADBo/hFdhZ75jFOU/s400/chute07f.jpg" style="cursor: move;" width="400" /></a></div>
</div>
</div>
<div class="separator" style="-webkit-text-stroke-width: 0px; clear: both; color: black; font-family: Times; font-size: medium; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; margin: 0px; orphans: auto; text-align: center; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;">
<i><br /></i></div>
<div class="separator" style="-webkit-text-stroke-width: 0px; clear: both; color: black; font-family: Times; font-size: medium; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; margin: 0px; orphans: auto; text-align: center; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;">
<i>Chute no. 3</i><a href="http://2.bp.blogspot.com/-cPPIOdK54fA/UlS3QWij_oI/AAAAAAAADBo/EWDlBcR9L74/s1600/chute03f.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://2.bp.blogspot.com/-cPPIOdK54fA/UlS3QWij_oI/AAAAAAAADBo/EWDlBcR9L74/s400/chute03f.jpg" style="cursor: move;" width="400" /></a></div>
<div class="separator" style="-webkit-text-stroke-width: 0px; clear: both; color: black; font-family: Times; font-size: medium; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; margin: 0px; orphans: auto; text-align: center; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;">
<br /></div>
<div class="separator" style="-webkit-text-stroke-width: 0px; clear: both; color: black; font-family: Times; font-size: medium; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; margin: 0px; orphans: auto; text-align: center; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;">
<i>Chute no. 4</i><a href="http://4.bp.blogspot.com/-p_Di0iyeA4o/UlS3QWIkCjI/AAAAAAAADBo/IOxRNjYj7gU/s1600/chute04f.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://4.bp.blogspot.com/-p_Di0iyeA4o/UlS3QWIkCjI/AAAAAAAADBo/IOxRNjYj7gU/s400/chute04f.jpg" width="400" /></a></div>
<div class="separator" style="-webkit-text-stroke-width: 0px; clear: both; color: black; font-family: Times; font-size: medium; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; margin: 0px; orphans: auto; text-align: center; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;">
<br /></div>
<div class="separator" style="-webkit-text-stroke-width: 0px; clear: both; color: black; font-family: Times; font-size: medium; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; margin: 0px; orphans: auto; text-align: center; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;">
<i>Chute no. 5</i><a href="http://1.bp.blogspot.com/-t5_1ktXWO3s/UlS5xkELsnI/AAAAAAAADBo/8m0IGfCccPw/s1600/chute05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="398" src="https://1.bp.blogspot.com/-t5_1ktXWO3s/UlS5xkELsnI/AAAAAAAADBo/8m0IGfCccPw/s400/chute05.jpg" width="400" /></a></div>
<div class="separator" style="-webkit-text-stroke-width: 0px; clear: both; color: black; font-family: Times; font-size: medium; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; margin: 0px; orphans: auto; text-align: center; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;">
<br /></div>
<div class="separator" style="-webkit-text-stroke-width: 0px; clear: both; color: black; font-family: Times; font-size: medium; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; margin: 0px; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;">
</div>
<div style="-webkit-text-stroke-width: 0px; color: black; font-family: Times; font-size: medium; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: auto; text-align: center; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;">
</div>
<div style="text-align: right;">
<div style="text-align: center;">
<br /></div>
</div>
<div class="separator" style="-webkit-text-stroke-width: 0px; clear: both; color: black; font-family: Times; font-size: medium; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; margin: 0px; orphans: auto; text-align: center; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;">
<i>Chute no. 6</i><a href="http://4.bp.blogspot.com/-418JMgNTXOQ/UlS3SAiiXJI/AAAAAAAADBo/4Etk2fAGIPI/s1600/chute06f.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://4.bp.blogspot.com/-418JMgNTXOQ/UlS3SAiiXJI/AAAAAAAADBo/4Etk2fAGIPI/s400/chute06f.jpg" style="cursor: move;" width="400" /></a></div>
</div>
www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-21801482801577170142013-12-01T12:05:00.000-08:002014-02-17T15:47:02.944-08:00Passages - Exhibition of new work<span style="font-family: inherit; font-size: x-small;"><a href="http://www.glendon.yorku.ca/gallery/francais/info.html" target="_blank">Glendon Gallery</a> - <span style="color: black;">22 October to 30 November 2013</span> </span><br />
<div class="MsoNormalCxSpMiddle" style="mso-hyphenate: none; mso-layout-grid-align: none; mso-pagination: lines-together; page-break-after: avoid; text-autospace: none;">
<span style="color: black; font-family: inherit; font-size: x-small;">Glendon College, York University<o:p></o:p></span></div>
<div class="MsoNormalCxSpMiddle" style="mso-hyphenate: none; mso-layout-grid-align: none; mso-pagination: lines-together; page-break-after: avoid; text-autospace: none;">
<span style="font-family: inherit;"><span style="color: black; font-size: x-small;">2275 Bayview Avenue, </span><span style="font-size: x-small;">Toronto, M4N 3M6</span></span><br />
<span style="font-family: inherit; font-size: x-small;"><br />
</span><br />
<span style="font-family: inherit; font-size: x-small;">Glendon Gallery of York University is pleased
to present Passages, an exhibition of new work by Cheryl Rondeau. In <i>Passages</i>, Rondeau has created new work that investigates
the relationship between space and body, gesture and the individual
through the act of falling.</span></div>
<div class="MsoNormalCxSpMiddle" style="mso-hyphenate: none; mso-layout-grid-align: none; mso-pagination: lines-together; page-break-after: avoid; text-autospace: none;">
<div class="MsoNormalCxSpMiddle" style="mso-hyphenate: none; mso-layout-grid-align: none; mso-pagination: lines-together; page-break-after: avoid; text-autospace: none;">
<span style="color: black;"><span style="font-family: inherit; font-size: x-small;">The artist would
like to acknowledge the support of the Ontario Arts Council in the
presentation of this exhibition. <o:p></o:p></span></span></div>
<div class="MsoNormalCxSpMiddle" style="mso-hyphenate: none; mso-layout-grid-align: none; mso-pagination: lines-together; page-break-after: avoid; text-autospace: none;">
<span style="color: black;"><span style="font-family: inherit; font-size: x-small;">-----<o:p></o:p></span></span></div>
<div class="MsoNormalCxSpMiddle" style="mso-hyphenate: none; mso-layout-grid-align: none; mso-pagination: lines-together; page-break-after: avoid; text-autospace: none;">
<span style="color: black;"><span style="font-family: inherit; font-size: x-small;">La Galerie Glendon présente une exposition du
tout nouveau corpus de Cheryl Rondeau. Avec l’exposition <i>Passages</i> Rondeau poursuit
son enquête sur les relations entre l’espace et le corps, le geste et
l’individu par l’acte de la chute.</span></span><br />
<span style="color: black;"><span style="font-family: inherit; font-size: x-small;">L'artiste reconnaît le soutien du Conseil des arts de l'Ontario dans la présentation de cette exposition.</span></span></div>
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-H213l4y2Koo/UnB2TA0ykVI/AAAAAAAADCI/84ZHHlKw9Jk/s1600/Passages%2540GG01s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-H213l4y2Koo/UnB2TA0ykVI/AAAAAAAADCI/84ZHHlKw9Jk/s400/Passages%2540GG01s.jpg" height="251" width="400" /></a></div>
<div style="text-align: center;">
<i><a href="http://www.cherylrondeau.com/2013/10/la-chute.html" target="_blank">Chute no.1</a></i> and <i><a href="http://www.cherylrondeau.com/2013/10/la-complice.html" target="_blank">La Complice</a> </i>click on title for image and info</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-aJjZAHwLvek/UnB2TM-phEI/AAAAAAAADB8/p4YofdN9SVM/s1600/Passages%2540GG03s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-aJjZAHwLvek/UnB2TM-phEI/AAAAAAAADB8/p4YofdN9SVM/s400/Passages%2540GG03s.jpg" height="206" width="400" /></a></div>
<div style="text-align: center;">
<i><a href="http://www.cherylrondeau.com/2013/10/la-chute.html" target="_blank">Chute no.</a>7</i> <i><a href="http://www.cherylrondeau.com/2013/10/la-chute.html" target="_blank">Chute no.</a>6 </i><i><a href="http://www.cherylrondeau.com/2013/10/la-chute.html" target="_blank">Chute no.</a>4</i><i> </i>click on title for image and info</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-wlrFbqggFq4/UnB2TEcL8sI/AAAAAAAADCE/SCeM_hVLGqc/s1600/Passages%2540GG04s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-wlrFbqggFq4/UnB2TEcL8sI/AAAAAAAADCE/SCeM_hVLGqc/s400/Passages%2540GG04s.jpg" height="245" width="400" /></a></div>
<div style="text-align: center;">
<i><a href="http://www.cherylrondeau.com/2013/10/la-chute.html" target="_blank">Chute no.</a>4</i> <i><a href="http://www.cherylrondeau.com/2013/10/la-chute.html" target="_blank">Chute no.</a>3 </i><i><a href="http://www.cherylrondeau.com/2013/10/la-chute.html" target="_blank">Chute no.</a>5</i><i> </i>click on title for image and info</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-8FQE3aKMmJ8/UnB2T6iI5ZI/AAAAAAAADCQ/Teva0oOXWms/s1600/Passages%2540GG05s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-8FQE3aKMmJ8/UnB2T6iI5ZI/AAAAAAAADCQ/Teva0oOXWms/s400/Passages%2540GG05s.jpg" height="251" width="400" /></a></div>
<div style="text-align: center;">
<i><a href="http://www.cherylrondeau.com/2013/10/la-chute.html" target="_blank">Chute no.</a>6</i>, <i><a href="http://www.cherylrondeau.com/2013/10/la-chute.html" target="_blank">Chute no.</a>4 </i><i><a href="http://www.cherylrondeau.com/2013/10/la-chute.html" target="_blank">Chute no.</a>3</i><i> </i>click on title for image and info</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-zUPGkfLfFNI/UnB2UXt5csI/AAAAAAAADCc/p1FQ8XvLmyA/s1600/Passages%2540GG06s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-zUPGkfLfFNI/UnB2UXt5csI/AAAAAAAADCc/p1FQ8XvLmyA/s400/Passages%2540GG06s.jpg" height="235" width="400" /></a></div>
<div style="text-align: center;">
<i><a href="http://www.cherylrondeau.com/2013/10/la-chute.html" target="_blank">Chute no.</a>4</i> <i><a href="http://www.cherylrondeau.com/2013/10/la-chute.html" target="_blank">Chute no.</a>3 </i><i><a href="http://www.cherylrondeau.com/2013/10/la-chute.html" target="_blank">Chute no.</a>5</i><i> </i>click on title for image and info</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-yUnIOZYVA84/UnB2VzYmVuI/AAAAAAAADC8/EFtbpuMfHwg/s1600/Passages%2540GG10s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-yUnIOZYVA84/UnB2VzYmVuI/AAAAAAAADC8/EFtbpuMfHwg/s400/Passages%2540GG10s.jpg" height="255" width="400" /></a></div>
<div style="text-align: center;">
video projection <i><a href="http://www.cherylrondeau.com/2013/10/la-descente.html" target="_blank">La Descente</a></i> click on title for video and info</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-p5SBUTQ5UQ4/UnB2VxZtQEI/AAAAAAAADC4/3DeL957AcWA/s1600/Passages%2540GG11s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-p5SBUTQ5UQ4/UnB2VxZtQEI/AAAAAAAADC4/3DeL957AcWA/s400/Passages%2540GG11s.jpg" height="253" width="400" /></a></div>
<div class="MsoNormalCxSpMiddle" style="page-break-after: avoid; text-align: center;">
<span style="color: black; font-family: Helvetica; font-size: 10.0pt; mso-bidi-font-family: Helvetica; mso-themecolor: text1;"><br /></span></div>
www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-76107325392241278802013-11-24T15:45:00.000-08:002014-02-17T15:47:28.803-08:00revue Liaison no. 162 hiver 2013<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-4Mz4o7Y4C0I/UwKe2TTXr6I/AAAAAAAADVQ/CwmVUvomM54/s1600/LiaisonCouverture.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-4Mz4o7Y4C0I/UwKe2TTXr6I/AAAAAAAADVQ/CwmVUvomM54/s1600/LiaisonCouverture.JPG" height="400" width="301" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-TluQ1XOEplE/UwKe1eX6FZI/AAAAAAAADVI/tJo9DsBwuXg/s1600/LiaisonP26.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-TluQ1XOEplE/UwKe1eX6FZI/AAAAAAAADVI/tJo9DsBwuXg/s1600/LiaisonP26.JPG" height="400" width="308" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-rRQywATCmaI/UwKe22nGF1I/AAAAAAAADVY/5ejH1PhkMq8/s1600/LiaisonP27.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-rRQywATCmaI/UwKe22nGF1I/AAAAAAAADVY/5ejH1PhkMq8/s1600/LiaisonP27.JPG" height="400" width="293" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-bgxJribJyUE/UwKe2_glm_I/AAAAAAAADVU/5wJ74Xf2-Ic/s1600/LiaisonP28.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-bgxJribJyUE/UwKe2_glm_I/AAAAAAAADVU/5wJ74Xf2-Ic/s1600/LiaisonP28.JPG" height="400" width="335" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-fHkTdGhgV5M/UwKe37i0SCI/AAAAAAAADVk/mOAAjUc-d3I/s1600/LiaisonP29.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-fHkTdGhgV5M/UwKe37i0SCI/AAAAAAAADVk/mOAAjUc-d3I/s1600/LiaisonP29.JPG" height="400" width="297" /></a></div>
<br />www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-89778725988066618452013-10-19T16:23:00.000-07:002014-08-27T14:27:38.068-07:00La Complice2013<br />
objet trouvé (bicyclette Lejeune, circa 1972)<br />
found object (Lejeune bicycle, circa 1972)<br />
112cm x 175cm x 44cm<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-3ZV2iBpU_kE/UnGU3UCTQyI/AAAAAAAADDg/UPZRR4J3xQ8/s1600/La+Complice_s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-3ZV2iBpU_kE/UnGU3UCTQyI/AAAAAAAADDg/UPZRR4J3xQ8/s640/La+Complice_s.jpg" height="419" width="640" /></a></div>
<div style="text-align: center;">
<br /></div>
<div class="MsoNormal">
<o:p></o:p></div>
www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-86432594301344620022013-10-19T16:18:00.000-07:002013-10-30T16:33:50.553-07:00La Descente<div>
2013 </div>
<div>
single channel video projection, dimensions variable</div>
<div>
first 3 minutes of 6 minute loop</div>
<div>
<br /></div>
<div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/H3nlNeKyNv8?feature=player_embedded' frameborder='0'></iframe></div>
<div style="text-align: center;">
<br /></div>
</div>
<div>
<i>La Descente</i> présente une femme en chute perpétuel. Cette vidéo est composée d'un extrait tireé d’un film (Catwoman, 2004) où le personnage tombe d’un immeuble. L'extrait a été ralenti, répété et soigneusement manipulé pour que cette figure reste infiniment suspendu dans l’air, dans un espace dépourvu de détails ou contexte.</div>
www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-66391576283895120372012-10-03T13:00:00.001-07:002012-10-09T18:14:58.552-07:00the Route (Art Spin 08/2012)<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/5pqZ_-588Hw" width="560"></iframe> </div>
<div style="text-align: center;">
<br /></div>
the Route (Art Spin 08/2012) is a nine-channel video projection created for <a href="http://www.artspin.ca/#!upcoming/cihc" target="_blank">Art Spin's bicycle art tour and annual exhibition</a>. Using their proposed route for their August 2012 bicycle tour of art galleries, artist studios and performances. I cycled it three times while recording my experience from three different perspectives, and, at three different times of the day (7:30, 13:30 and 19:30).<br />
<br />
The projection was accompanied by a handout that provided details on cycling the route.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-qe7xZg9ADqw/UGywXBC0V-I/AAAAAAAACWQ/hNTuu2pZV0c/s1600/Art-Spin-MapF.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="243" src="http://1.bp.blogspot.com/-qe7xZg9ADqw/UGywXBC0V-I/AAAAAAAACWQ/hNTuu2pZV0c/s320/Art-Spin-MapF.jpg" width="320" /></a></div>
<div style="text-align: center;">
<br /></div>
www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-38936866676881567312012-04-05T20:24:00.001-07:002012-11-29T20:22:11.813-08:00PÉNÉTRATIONS<style>
<!--
/* Font Definitions */
@font-face
{font-family:Times;
panose-1:2 0 5 0 0 0 0 0 0 0;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0cm;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
mso-bidi-font-size:10.0pt;
font-family:Times;
mso-fareast-font-family:Times;
mso-bidi-font-family:"Times New Roman";
mso-no-proof:yes;}
h3
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-link:"Heading 3 Char";
mso-style-next:Normal;
margin:0cm;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
page-break-after:avoid;
mso-outline-level:3;
font-size:12.0pt;
mso-bidi-font-size:10.0pt;
font-family:Times;
font-weight:normal;
font-style:italic;
mso-bidi-font-style:normal;
mso-no-proof:yes;}
span.Heading3Char
{mso-style-name:"Heading 3 Char";
mso-style-unhide:no;
mso-style-locked:yes;
mso-style-link:"Heading 3";
mso-ansi-font-size:12.0pt;
font-style:italic;
mso-bidi-font-style:normal;
mso-no-proof:yes;}
.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:10.0pt;
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;
font-family:Times;
mso-ascii-font-family:Times;
mso-fareast-font-family:Times;
mso-hansi-font-family:Times;}
@page WordSection1
{size:612.0pt 792.0pt;
margin:72.0pt 90.0pt 72.0pt 90.0pt;
mso-header-margin:36.0pt;
mso-footer-margin:36.0pt;
mso-paper-source:0;}
div.WordSection1
{page:WordSection1;}
</style>
Documentation WARC Gallery, Toronto Canada - 04/2012 <br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/MvQstjn1ZY4?feature=player_embedded' frameborder='0'></iframe></div>
<span style="font-family: "Times New Roman";"> </span><br />
<h3>
<span style="font-family: "Times New Roman";">Pénétrations</span></h3>
<br />
<span style="font-family: "Times New Roman";">This dual channel video installation
investigates and dissects the sub-textual codification of the female form
evidenced within mainstream cinema. Rondeau has culled hours of footage from
Science Fiction films; an archive that is both rich in imagery relating to the
strength of female protagonists and, at the same time, preoccupied with the
spectacle of the female body mapped, through probing, prodding and
manipulation. In both circumstances, there is an integral dialectic of the
macabre and the sexualized wrapped in a vocabulary authentic to the Sci-Fi - a
genre, to a large extent, built on concepts of gender bias, objectification,
titillation and colonization.</span><br />
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman";">The installation
is assembled as a circular narrative designed to examine the dichotomy of self
and other; underscoring notions of the self as both embodied and alienated,
solid yet malleable, hermetic but porous. These female protagonists are
extracted from their original context, liberated from a cinematic matrix and
free to weave and transform between and within each other, blurring the
boundaries between self and other. These short vignettes are digitally
manipulated and rhythmic, punctuated by moments of black and underscored by an
immersive soundtrack.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman";">Rondeau has
spawned a bewilderingly layered and fragmented portrait of the female body as
fluid and temporal. Her protagonists are in a constant state of flux, always at
the threshold between estranged experience and transformative potential and
serve as a ceaseless examination of the corporeality as a constant regenerative
process.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman";">The artist would
like to acknowledge the Ontario Arts Council for support in the realization,
and presentation, of this project.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-o972C_zsonA/T35hPcxFcwI/AAAAAAAACIU/MX7b1OeRnkU/s1600/Pe%25CC%2581ne%25CC%2581trations02s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="224" src="http://2.bp.blogspot.com/-o972C_zsonA/T35hPcxFcwI/AAAAAAAACIU/MX7b1OeRnkU/s320/Pe%25CC%2581ne%25CC%2581trations02s.jpg" width="320" /></a></div>
<div style="text-align: center;">
<br /></div>
<div class="MsoNormal">
<br /></div>
www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-53071536121224901172011-05-25T19:35:00.000-07:002012-02-06T11:31:54.456-08:00433823N792555W<div style="text-align: center;">43˚38’23”N 79˚25’55”W --- 44˚00’33”N 79˚33’50”W<br />
<br />
<iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/TYUFlBYEmuI" width="560"></iframe> </div><div style="text-align: center;"><br />
</div><i>2011 projection </i><i>vidéo </i><br />
<i>L’œuvre illustre une vue hypnotique du trajet en vélo entre le foyer et le lieu de travail. La monotonie de la vie contemporaine prédomine dans cette projection vidéo (4 minute en boucle, couleur, sans son) . La vidéo est un collage de vidéos et de photographies accélérées prises du guidon du vélo. Il s’agit ainsi d’une exploration des enjeux générés par la subjectivité des sensations de l’espace.</i><br />
----- <br />
2011 video projection<br />
This video projection piece is a mesmerizing view of one bike commuter’s journey between home and work. The monotony of repetition is played out through the interweaving and multiplication of both time-lapse photography and video recorded from the perspective of the handlebars of this same commuter bike. The data for this installation was collected over numerous weeks. This work provides a study of the body, and the individual, propelling herself through space exploring issues around embodiment, the production of space and subjectivity. <br />
<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/_VtVLeJYjwio/TTcy5QneW5I/AAAAAAAABVw/HleTkWb3g8I/s1600/CommuteStill6sm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="http://1.bp.blogspot.com/_VtVLeJYjwio/TTcy5QneW5I/AAAAAAAABVw/HleTkWb3g8I/s320/CommuteStill6sm.jpg" width="320" /></a></div>www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-12368622218954037562011-04-10T18:06:00.000-07:002011-06-13T12:17:04.577-07:00Stills<div style="text-align: left;"><div style="text-align: left;"><i><i>click on image to view series</i></i></div><i><i><br />
</i></i></div><div style="text-align: right;"><br />
</div><div style="text-align: right;"></div><div class="separator" style="clear: both; text-align: right;"></div><div class="separator" style="clear: both; text-align: right;"></div><div class="separator" style="clear: both; text-align: right;"><a href="http://www.cherylrondeau.com/2011/05/transitions.html"><img border="0" height="316" src="https://lh6.googleusercontent.com/-VRBzh0wwsJM/TYrIy9R4axI/AAAAAAAABWs/pqZGgs73NtM/s320/EmbryoAlice.jpg" width="320" /> </a></div><div class="separator" style="clear: both; text-align: right;"><br />
</div><div style="text-align: right;"><div class="separator" style="clear: both; text-align: center;"><a href="http://www.cherylrondeau.com/2008/12/eclipse-serie.html" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="http://2.bp.blogspot.com/-fbjHKVLSdpU/TcMKhGpjeWI/AAAAAAAABYU/4b2xLSTCKYQ/s1600/Eclipse106.jpg" height="224" src="http://2.bp.blogspot.com/-fbjHKVLSdpU/TcMKhGpjeWI/AAAAAAAABYU/4b2xLSTCKYQ/s320/Eclipse106.jpg" width="320" /></a></div><i><br />
</i></div><div style="text-align: right;"><i></i></div><div style="text-align: right;"><div class="separator" style="clear: both; text-align: center;"><a href="http://www.cherylrondeau.com/2007/12/petites-morts-serie.html" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="http://1.bp.blogspot.com/-Q_uv7IGNFzo/TcMIlNgwNnI/AAAAAAAABX0/xNDgMIf69eQ/s1600/PetiteM026.jpg" height="320" src="http://1.bp.blogspot.com/-Q_uv7IGNFzo/TcMIlNgwNnI/AAAAAAAABX0/xNDgMIf69eQ/s320/PetiteM026.jpg" width="318" /></a></div><br />
</div><div style="text-align: right;"><br />
</div><div style="text-align: right;"><br />
</div><div style="text-align: right;"><br />
</div><div style="text-align: right;"><br />
</div><div style="text-align: right;"><br />
</div><div style="text-align: right;"><br />
</div><div style="text-align: right;"><br />
</div><div style="text-align: right;"><br />
</div>www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-60152650992122163632010-10-21T13:25:00.000-07:002011-05-11T10:40:04.373-07:00TRANSITIONS<div class="separator" style="clear: both; text-align: left;">54cm X 54cm</div><div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-TJzrmfnQiEY/TcrJ3LkVfRI/AAAAAAAABbY/KgBQVofOalI/s1600/EmbryoAlice3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://2.bp.blogspot.com/-TJzrmfnQiEY/TcrJ3LkVfRI/AAAAAAAABbY/KgBQVofOalI/s320/EmbryoAlice3.jpg" width="320" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><img border="0" height="318" src="https://lh6.googleusercontent.com/-VRBzh0wwsJM/TYrIy9R4axI/AAAAAAAABWs/pqZGgs73NtM/s320/EmbryoAlice.jpg" width="320" /></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://lh3.googleusercontent.com/-UjFoyns-A00/TYrI3ICkygI/AAAAAAAABWw/Wtzp33Dcpok/s1600/EmbryoAlien.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://lh3.googleusercontent.com/-UjFoyns-A00/TYrI3ICkygI/AAAAAAAABWw/Wtzp33Dcpok/s320/EmbryoAlien.jpg" width="320" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://lh4.googleusercontent.com/-_eNSyMnXbR8/TYrI4gWnVjI/AAAAAAAABW0/KWUuDeDOS-0/s1600/EmbryoTrip2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://lh4.googleusercontent.com/-_eNSyMnXbR8/TYrI4gWnVjI/AAAAAAAABW0/KWUuDeDOS-0/s320/EmbryoTrip2.jpg" width="320" /></a></div>www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-32092526910134592762010-09-24T10:14:00.000-07:002011-04-04T13:44:01.320-07:0043˙33'27"N 79˙35'24"W<div style="text-align: center;"><span style="font-size: 85%;"><a href="http://4.bp.blogspot.com/_VtVLeJYjwio/TAenlzuLNvI/AAAAAAAABD0/ieCizGdtVac/s1600/PortCreditMapSM.jpg" style="font-family: georgia;"><img alt="http://2.bp.blogspot.com/_VtVLeJYjwio/TBajM4YS4RI/AAAAAAAABEY/3ay2AnU9aVw/s1600/RondeauPCproject.jpg" src="http://2.bp.blogspot.com/_VtVLeJYjwio/TBajM4YS4RI/AAAAAAAABEY/3ay2AnU9aVw/s1600/RondeauPCproject.jpg" style="height: 310px; width: 454px;" /></a></span></div><span style="font-family: georgia; font-size: 85%;">english follows<br />
<span style="font-style: italic;">poster d’artiste édition limitée, 32cmX47cm<br />
Projet d’artiste crée pour l’exposition </span>The Projects: Port Credit<span style="font-style: italic;"> organisée par la Blackwood Gallery. Il s’agit d’un poster de la carte routière de Port Credit comprenant une piste cyclable détaillée qui retrace l’histoire et les frontières de cette ville côtière. Cette piste mêle informations historiques et statistiques. Avec ce projet je propose une route qui lie physiquement et cinétiquement les diverses communautés qui constituent Port Credit.</span><br />
<br />
-----<br />
limited edition poster, 32cmX47cm<br />
For the <a href="http://www.blackwoodgallery.ca/Blackwood_exhibitionTheProjects2010.html"><span style="font-style: italic;">Projects: Port Credit </span>2010</a> exhibition organized by <a href="http://www.blackwoodgallery.ca/">Blackwood Gallery</a>, I have proposed a new local cartography through the creation of a meandering cycling route that retraces history and borders. Revisiting these frontiers and boundaries in an effort to examine the transition from then to now and old to new; I remap a configuration of the old Village of Port Credit, physically linking it with the various communities and requisite components that eventually comprise Port Credit as it is now known. The project mines history, embeds the former within the current geography and thus emphasizes a process of ongoing change. I have created a map with proposed route details - including statistical information and historical references - that will be available gratis to visitors of the exhibition.</span><span style="font-size: 85%;"><br />
</span><span style="font-family: georgia; font-size: 85%; font-weight: bold;"><br />
</span><span style="font-size: 85%;"><span style="font-family: georgia;">While creating this route I decided to chronicle my explorations and cycling ordeals - via GPS tracking, video and text ... to view my attempts at mapping out Port Credit's borders by bike click <a href="http://www.cherylrondeaucycles.com/2010/05/433327n-793524w-port-credit.html"><span style="font-style: italic; font-weight: bold;">here</span></a></span><a href="http://www.cherylrondeaucycles.com/2010/05/first-attempt.html" style="font-family: georgia;"></a><br />
<br />
<br />
</span><br />
<div style="font-family: georgia; text-align: center;"><span style="font-size: 85%;"><b>Sunday June 27th, 12:30 to 1:30pm: <i>Mapping Port Credit: A Bike Tour</i></b><br />
<b><i></i></b></span></div><span style="font-size: 85%;"><b style="font-family: georgia;"><i> </i></b><span style="font-family: georgia;">Join </span><b style="font-family: georgia; font-weight: normal;">me </b><span style="font-family: georgia;">for a group bike tour starting at the Lighthouse (corner of Front St. and Lakeshore Rd.) at 12:30pm and ending at the opening reception.</span><br />
<span style="font-family: georgia;">To register, please email blackwood.gallery@utoronto.ca by Friday, June 25th. Insurance dictates that helmets must be worn by all participants and a Waiver must be signed and received at the start of the event. For more information visit the </span><a href="http://www.blackwoodgallery.ca/" style="font-family: georgia;">Blackwood Gallery</a><span style="font-family: georgia;"> or email blackwood.gallery@utoronto.ca</span><br />
<b style="font-family: georgia; font-weight: normal;">The exhibition and opening reception take place in Port Credit at </b><span style="font-family: georgia;">141 Lakeshore Road East (at Hurontario St.)</span><b style="font-family: georgia; font-weight: normal;"> Opening reception: </b><span style="font-family: georgia;">Sunday June 27th, 1 - 4pm, exhibition runs from Sunday June 27 - Sunday July 25, 2010</span><br />
<b style="font-family: georgia;"><i><br />
<br />
</i></b></span> <br />
<div style="font-family: georgia; font-style: italic; text-align: left;"><span style="font-size: 85%;">I would like to acknowledge the support of Christof Migone and Juliana Zalucky of the <a href="http://www.blackwoodgallery.ca/">Blackwood Gallery</a>, Matthew Wilkinson of <a href="http://www.heritagemississauga.com/">Heritage Mississauga </a><br />
and William Huffman.</span><br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
</div>www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-2574295068524408402010-04-08T18:52:00.000-07:002011-04-04T13:44:17.663-07:00Elusive BodyDocumentation of exhibition at gallery <span style="font-style: italic;">47</span> Milky Way, Toronto Canada - April 2010<br />
<br />
<br />
<div style="text-align: center;"><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/XWM3fKf6oN0?hl=en&fs=1"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/XWM3fKf6oN0?hl=en&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"></embed></object></div><span style="font-style: italic;">version française suit ...</span><br />
<span style="font-family: Arial; font-size: 100%;"><span style="font-family: georgia;">With </span><span style="font-family: georgia; font-style: italic;">Elusive Body</span><span style="font-family: georgia;">, Cheryl Rondeau takes the viewer on a simulated journey into an environment that oscillates between the parallels of real and construct. This installation is a dual channel video projected onto screens suspended within the exhibition space.</span><br />
<span style="font-family: georgia;">The two projections feature different, yet linked, vignettes that mix footage from two disparate sources: found footage culled from Science Fiction films and original recordings captured from the handle-bars of a bicycle during an earlier performative </span><a href="http://elusivebody.blogspot.com/" style="font-family: georgia;">intervention</a><span style="font-family: georgia;"> by Rondeau. The found footage comprises several brief portraits of superhuman female protagonists in action or combat. The handlebar recordings document a one-week period, via video and time-lapse photography, of the artist’s mundane bicycle commute from residence to studio. During this cycling exercise, Rondeau recorded her fluctuating heart rate, speed and cadence in an effort to capture a constantly shifting algorithm that she then used to determine the sequence, editing and pacing of both vignettes. What emerges from these calculations is a frantic aesthetic and radical reframing of the original imagery. Unexpected, fleeting, incomplete – this sequence of isolated moments resists conventional cinematic storytelling and immerses the viewer in its soundscape. Rondeau presents a series of complications, incidents or anticipations that move from depicting an embattled Sci-Fi heroine to someone real on bicycle, a resonance of Hollywood-esque protagonist and, if not mundane, Toronto artist herself.</span><br />
<span style="font-family: georgia;">Cheryl Rondeau is a visual artist who works with both still and moving imagery to transform moments of transition and the quotidian into the monumental with the intent of exposing the influences and mechanics that mediate representation and identity. Her work has been included in exhibitions and festivals internationally.<br />
----- </span></span><br />
<style>
@font-face { font-family: "Times New Roman"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: Times; }h1 { margin: 0in 0in 0.0001pt; page-break-after: avoid; font-size: 10pt; font-family: "Times New Roman"; color: rgb(51, 51, 51); font-weight: normal; font-style: italic; }h2 { margin: 0in 0in 0.0001pt; page-break-after: avoid; font-size: 10pt; font-family: "Times New Roman"; font-weight: normal; font-style: italic; }p.MsoBodyText, li.MsoBodyText, div.MsoBodyText { margin: 0in 0in 0.0001pt; font-size: 10pt; font-family: "Times New Roman"; }p.MsoBodyText2, li.MsoBodyText2, div.MsoBodyText2 { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; color: rgb(51, 51, 51); }a:link, span.MsoHyperlink { color: blue; text-decoration: underline; }a:visited, span.MsoHyperlinkFollowed { color: purple; text-decoration: underline; }div.Section1 { page: Section1
</style><span style="font-family: "; font-size: 11pt; font-style: italic;">Avec </span><span style="font-family: "; font-size: 11pt;">Elusive Body</span><span style="font-family: "; font-size: 11pt; font-style: italic;"> [le corps insaisissable], Cheryl Rondeau invite le spectateur à suivre un trajet simulé qui oscille entre mondes réels et élaborés. Cette installation, composée de deux vidéos projetées sur un écran translucide suspendu, située au centre de l’espace d’exposition de la galerie 47</span><span style="font-family: "; font-size: 11pt; font-style: italic;">.</span><span style="font-style: italic;"> </span><span style="font-family: "; font-size: 11pt; font-style: italic;">Les visuels des deux projections semblent au premier abord différents mais puissent leurs similitudes dans le traitement de leurs sources pourtant hétérogènes : du found footage tiré de films de science fiction et des enregistrements capturés par deux caméras fixées sur un vélo et utilisées lors d’une <a href="http://www.cherylrondeaucycles.com/2009/12/elusive-body-commute.html">intervention</a> antérieure de l’artiste. Le found footage comprend de très courts portraits de super-héroïnes en action ou au combat. Les enregistrements pris du vélo sont composés de brefs séquences qui illustrent (en vidéo et en photo-accélérée) le trajet journalier entre la résidence et le studio de Cheryl Rondeau. Lors de ces trajets, elle a également procédé à l’enregistrement de son rythme cardiaque et de sa vitesse pour définir un algorithme déterminant la séquence, le montage et le rythme des deux projections. De ces calculs émergent une esthétique frénétique et une recomposition radicale des visuels originaux. Inattendues, fugaces et inachevées – ces séquences de moments isolés dépassent les conventions du cinéma narratif. Les spectateurs sont immergés dans les visuels et leur bande son aléatoire. Cheryl Rondeau présente ainsi une série de péripéties ponctuées de complications ou d’attentes qui oscille entre des représentations d’héroïnes de science-fiction assiégées et une personne réelle en vélo, telle une résonance entre le monde Hollywoodien et la vie quotidienne, si non banale, de l’artiste.</span><br />
<span style="font-family: Arial; font-size: 100%;"><span style="font-family: Arial; font-size: 100%;"><span style="font-size: 100%;"><span style="font-size: 100%;"><a href="http://3.bp.blogspot.com/_VtVLeJYjwio/S6-QBuj7aMI/AAAAAAAAA-8/wEoeisYp-CA/s1600/Elusive02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5453736033121953986" src="http://3.bp.blogspot.com/_VtVLeJYjwio/S6-QBuj7aMI/AAAAAAAAA-8/wEoeisYp-CA/s320/Elusive02.jpg" style="cursor: pointer; display: block; height: 199px; margin: 0px auto 10px; text-align: center; width: 731px;" /></a></span></span></span><br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
</span>www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-18225123756569087402009-10-02T05:47:00.000-07:002011-04-04T13:42:49.422-07:00The Commute<a href="http://www.cherylrondeaucycles.com/2009/12/elusive-body-commute.html"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5563916527837619042" src="http://3.bp.blogspot.com/_VtVLeJYjwio/TTcAmmmvo2I/AAAAAAAABVY/0TNZg80ij8s/s200/1_NavetteuseNo1.jpg" style="display: block; height: 200px; margin: 0px auto 10px; text-align: center; width: 141px;" /></a><br />
<span style="font-family: Times; font-size: 85%;"><br />
<br />
For <i>The Commute:A portrait of the body in movement</i></span><span style="font-family: Times; font-size: 85%;"> I’ve decided to document – using video, photo and text – my cycling commutes from home to work during a one-week period (Monday to Friday). This commute takes me from downtown Toronto to Kettleby (a place just north of the city) which is about 46.5 km each way. During this week I will upload and catalogue my documentation and collected data to the <span style="font-style: italic;">Elusive Body</span> <a href="http://elusivebody.blogspot.com/">blog site</a> including GPS information and my body's vital stats. With each day's log viewers encounter detailed route maps with accompanying graphs representing my heart rate, cadence and speed fluctuations along with elevation statistics. The data collected will be analyzed and used in my work – as a means of creating video montages that mix found footage and source material collected during my cycling commutes. The sequencing, editing and pacing of these montages will be the result of a calculation based on my fluctuating heart rate, speed and cadence.<br />
The <i>Elusive Body</i></span><span style="font-family: Times; font-size: 85%;"> blog is the first stage of a multimedia installation scheduled to open April 2010 at </span><span style="font-size: 85%;"><a href="http://www.forty-seven.ca/">Forty Seven Gallery</a></span><span style="font-family: Times; font-size: 85%;">. This project continues my investigation of the relationships between space and the body, gesture and the individual, embodiment and notions of the self.</span>www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-87167639177868087582009-09-02T05:57:00.000-07:002011-04-04T13:44:38.638-07:00Approaching Caribou Harbour<span style="font-size: 100%;">In response to an invitation for contribution to the <span style="font-style: italic; font-weight: bold;">Caribou Harbour Memory Factory</span> - a web portal developed by artist and York University professor <a href="http://www.kmknight.com/">Katherine Knigh</a><a href="http://www.kmknight.com/">t</a> - performance and visual artist Cheryl Rondeau performs her latest physical/virtual intervention. <span style="font-style: italic;">Caribou Harbour Memory Factory</span> is a virtual mechanism intended to explore the cultural and physical geography of Caribou Harbour, Nova Scotia. For her contribution, Rondeau discovers the region from a number of different conceptual entry points <span style="font-style: italic;">... for more information and view project </span><a href="http://www.cherylrondeaucycles.com/2009/08/cycles-2009-approaching-caribou-harbour.html" style="font-style: italic;">click here</a><br />
<br />
</span><span style="font-style: italic;">Approaching Caribou Harbour</span> is part of an ongoing series of physical and virtual interventions titled <span style="font-style: italic; font-weight: bold;">Cycles</span> that continues <span style="text-decoration: underline;">Cheryl Rondeau</span>'s exploration of the intersection between art and the everyday.<span style="font-style: italic;"> </span>Using the bike as the main mode of travel each intervention is fueled by determination and human-power.www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-61173199829317246602009-04-02T06:01:00.000-07:002011-04-04T13:44:57.068-07:00Body of Evidence<span style="font-family: Arial;"><span style="font-family: verdana; font-size: 85%;">2009, 5 minutes<br />
</span></span><br />
<div style="text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dydHxeFfEeqrqE4Bsh9dGBqITE7mR-p-6HeDk6JkcdPZMN04ZK7DHLVkIgtW390yTAfi9DKLsnUZyBOGvg9Sw' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><span style="font-family: Arial;"><span style="font-family: verdana; font-size: 85%;"><i><br />
</i> english follows<i><br />
L’oeuvre </i>Body of Evidence<i> a été réalisée lors d’une résidence à Trinity Square Video pour le programme vidéographique </i>VILLAIN<i> et a ensuite été présentée à la Revue Cinéma en mars 2009 à Toronto. La vidéo explore la représentation de la femme fatale dans le cinéma populaire.<br />
-----<br />
Body of Evidence</i> focuses on the lascivious gestures of the femme fatale in order to deconstruct this classic film archetype. Culled from hours of found footage "<i>Body of Evidence</i>" isolates and edits together these moments in the story when our<i> anti-hero</i> seduces the<i> hero</i>.<br />
</span></span><span style="font-family: Arial;"><span style="font-family: verdana; font-size: 85%;"><i>Body of Evidence </i></span></span><span style="font-family: Arial;"><span style="font-family: verdana; font-size: 85%;">was commissioned by Trinity Square Video for the Villain program and premiered at the Revue Cinema, Toronto, Canada - Thursday 12 March 2009.</span></span><br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/_VtVLeJYjwio/TTc-lqQsfpI/AAAAAAAABV4/tVHAXiuSYAA/s1600/BodyEvidenceSM.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="213" src="http://3.bp.blogspot.com/_VtVLeJYjwio/TTc-lqQsfpI/AAAAAAAABV4/tVHAXiuSYAA/s320/BodyEvidenceSM.jpg" width="320" /></a></div><div style="text-align: center;"><span style="font-family: Arial;"><span style="font-family: verdana; font-size: 85%;"><br />
</span></span></div>www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-30495227795699630232009-02-18T12:34:00.000-08:002014-02-18T12:38:15.447-08:00"Orgasm as Art" in TORO magazine<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-LREAMz2SrJQ/TcMKvYmYJFI/AAAAAAAABZA/wAfmHaEICJM/s1600/Eclipse064.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-LREAMz2SrJQ/TcMKvYmYJFI/AAAAAAAABZA/wAfmHaEICJM/s1600/Eclipse064.jpg" height="224" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-ucJjvT_70kE/UwPDo6A0sMI/AAAAAAAADV4/C_C6ZLM4S-0/s1600/TORO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-ucJjvT_70kE/UwPDo6A0sMI/AAAAAAAADV4/C_C6ZLM4S-0/s1600/TORO.jpg" height="127" width="200" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;">This interview from 20 May
2008 between Cheryl Rondeau and Louise Bak is reprinted from <a href="http://www.toromagazine.com/">www.toromagazine.com</a>.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">Louise Bak</b>: <i style="mso-bidi-font-style: normal;">Why a 100 serial portraits in Eclipse? Have
you abstracted these images in any ways? What do you hope to convey in this
series of portraits? Any sense of narrative in the impressions?</i><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoBodyText">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">Cheryl Rondeau</b>:
Actually I could go on forever with this project. I decided on a hundred in
order to have an end and to have enough <i style="mso-bidi-font-style: normal;">portraits</i>
to create this feeling of repetition and destabilization. Through this
repetition of so many women performing a similar gesture, as well as blowing
them up and manipulating them digitally in the editing process, I am attempting
to abstract this gesture, to denaturalize it, create a disconnect with its
implied meaning. By focusing on a very specific micro-gesture and extracting it
completely from its original context I am interested in showing its absurdity
when devoid of content. In a sense I am taking to its extreme Judith Butler’s
theory of <i style="mso-bidi-font-style: normal;">gender performativity</i> where
she describes repetition of certain behaviours and gestures as integral to the
naturalization of sex and gender differences. My interest is in isolating these
gestures and exposing their meanings as constructs. Actually <i style="mso-bidi-font-style: normal;">Eclipse</i> is the third video in a trilogy
that isolates a number of gestures. The first one <i style="mso-bidi-font-style: normal;">Blanc</i> focuses on the toss of the female head as it turns toward the
camera, and the second one, <i style="mso-bidi-font-style: normal;">Les Petites
Morts</i>, isolates women in the act of screaming toward the camera.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">LB</b>: <i style="mso-bidi-font-style: normal;">What do you think of the processes of people
making mixtapes of their most effecting porn moments? How has this
investigative process affected you? Altered your perception of pleasure?</i><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">CR</b>: I think
it is an interesting process to better understanding one’s own perception of
pleasure. For me, I have actually questioned my own outward expression of
ecstasy. How much of it is mimicked, or learned from watching porn, and how
much of it is an authentic bodily response to those pangs of pleasure?<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">LB</b>: <i style="mso-bidi-font-style: normal;">In watching the porn material, did you
notice any interesting shots of the male’s release facially? Like not just the
money shot. Why do you think the camera cares to go there and not look equally
at the way the male faces look?</i><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">CR</b>: As I mentioned
earlier the face is a substitute for visually representing ecstasy. Why go to a
man’s face when his ejaculation provides such voluminously visual evidence.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">LB</b>: <i style="mso-bidi-font-style: normal;">Porn seems to be everywhere, like ever-more
available. The range of actions in it changes some times, as I’ve seen on the
internet. Would you wish to see more male portraiture in commercial porn?</i><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">CR</b>: I think
it would be interesting to see how well received such porn would be if there
was more focus on the <i style="mso-bidi-font-style: normal;">portrait</i> of
ecstasy by both sexes. I would love to compare porn that is focused on the
money shot and that which is focused on male portraiture as I think men in this
type of porn would actually have to think about how their faces look in the
throes of ecstasy. As you can imagine in porn the female actors are more
concerned with their facial presence then their actual orgasm, since that is
where the camera tends to be focused.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">LB</b>: <i style="mso-bidi-font-style: normal;">In consuming porn, what would you wish to
see, in terms of other bodily levels, that’s not really there?</i><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">CR</b>: It might
be fun to make my own porn. I could use this opportunity to focus the camera
equally on male and female faces, and of course on the genitalia. This way I
could better explore and examine how the actors respond (males in particular)
and how such imagery would be received by the viewing audience.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">LB</b>: <i style="mso-bidi-font-style: normal;">You’re also an active cyclist. You go on
long expeditions, exploring art and spatial differences on the bike.</i><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">CR</b>: My
cycling projects like <i style="mso-bidi-font-style: normal;">Art Ride</i> or <i style="mso-bidi-font-style: normal;">Cycles</i> (web-based visual mapping
projects) seem on the surface the antithetical opposite of projects like <i style="mso-bidi-font-style: normal;">Eclipse</i>. Yet at the core they share
similar concerns. Embedded in its very origins: what gesture could be more
endlessly repetitive than the pedaling of a bicycle; the lone figure of a woman
on a bike is surely archetypal, a woman who may be fleeing, or equally,
arriving. For me, these images offer a way out of the narrow perception of
women offered up in popular culture.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">LB</b>: <i style="mso-bidi-font-style: normal;">Have you thought of doing self-portraiture
of your own erotic heights?</i><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">CR</b>: Funny
you should ask . . . I think that every art student goes through the sex phase
– might be on film, tape, canvas or often a performance – something of a right
of passage. I’m certainly no exception; I produced assorted self-portraits of
my own erotic heights. I was studying photography and video at the time.
Unfortunately I’m generally uncomfortable in front of the camera. I remember
reviewing the footage and discovering it to be so flat and subtle. I suppose
the way every-day sex actually looks. My homemade stuff just didn’t look right
– no pitches and valleys, clever camera work or exaggerated panting and
squealing. I remember lamenting that without the technical resources, staging
and professional actors, it’s practically impossible to make the sex look real.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">LB</b>: <i style="mso-bidi-font-style: normal;">Do you think the moment of female facial
ecstasy is under-watched, compared to the other bits of porn? You obviously
find it interesting, telling such moments?</i><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">CR</b>: I don’t
think those moments of female facial expressions in porn are under-watched or
else the porn director would not think they were important enough to include
them in the final product. I remember one female masturbation scene in
particular, it was in a shower and she was using a vibrator. The camera was
initially focused on her genitalia and her breasts yet these close up shots
were interlaced with long shots of her face and upper body. As she became more
excited the camera focused almost exclusively on her face to the point where
all we saw when she reached orgasm was a close up of her face, eyes closed,
teeth biting her lips and deep moans of pleasure.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">LB</b>: <i style="mso-bidi-font-style: normal;">Having watched a lot of porn for this work,
slowing it down, did you get a sense that there’s differences in the ways the
female orgasm looks?</i><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">CR</b>: Do you
mean a difference in how female orgasm looks in relation to men, or in relation
to other women? In relation to men I think there is an integral difference. A
man’s orgasm is external; the evidence is oh, so obvious visually by his
swollen member and the very demonstrative ejaculation. Why divert the camera to
his face when he is at the point of ejaculating? In relation to other women I
think there are subtle differences but ultimately since a woman’s moment of
ecstasy is internal she needs to externalize her pleasure in order to provide
something for the camera. Hence there is a certain iconic gesture that it seems
all women mimic and it is this throwing back of the head. An interesting aside,
having watched in slow motion the capturing of this moment in extreme close up
the woman’s face disappears to expose her neck, throat protruding. These images
have stuck with me as being incredibly phallic.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">LB</b>: <i style="mso-bidi-font-style: normal;">Do you think they’re performing a certain
model of what they think female sexual release should look like?</i><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">CR</b>: To a
certain degree yes . . . hell where did I learn to do that but through watching
porn. As I mentioned there is an expectation, if only for the camera, that
women need to outwardly express their moment of ecstasy. After all, the
director needs something to work with and show the audience that women do enjoy
and <i style="mso-bidi-font-style: normal;">want</i> whatever is being done to
them. A part of the male pleasure is ‘knowing’ he is able to make the woman get
off.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">LB</b>: <i style="mso-bidi-font-style: normal;">I once talked to a guy who said he was
frightened of the look on his girlfriends face when she came, when he saw it
for the first time, out of the dark. Puzzling, I thought. How do you think porn
influences the way women think they’re supposed to look and sound when they
come?</i><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">CR</b>: I think
this fear comes from the fact that a woman’s ecstasy is internal and hence an
intensely personal and inward moment of intense pleasure. In the case of this
guy he may have felt excluded from her pleasure, removed from the experience.
Her eyes closed, head pushed back, it is like she is far, far away communing
with something, or someone, otherworldly as opposed to communing with him and
his orgasm. I am reminded of Caravaggio’s painting of Mary Magdalen in Ecstasy.
Caravaggio has painted her alone with a stream of light descending on her face,
head rolled back and eyes half closed. This painting represents her communion
with God. It portrays an ecstatic moment that fluctuates between mystical and
carnal love, and where her lover’s presence is irrelevant.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><b style="mso-bidi-font-weight: normal;">LB</b>: <i style="mso-bidi-font-style: normal;">I’ve heard various talk about the elusive
female “O” – some men boastful that they can tell that it happened. It’s
interesting what portraiture of such moments can look like. Have you seen any
differences in the way this moment looks in hardcore and the way it gets
depicted in amateur, realcore?</i><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><br /></span></div>
<div class="separator" style="clear: both; text-align: left;">
<!--[if gte mso 9]><xml>
<o:OfficeDocumentSettings>
<o:AllowPNG/>
</o:OfficeDocumentSettings>
</xml><![endif]-->
<!--[if gte mso 9]><xml>
<w:WordDocument>
<w:View>Normal</w:View>
<w:Zoom>0</w:Zoom>
<w:TrackMoves/>
<w:TrackFormatting/>
<w:PunctuationKerning/>
<w:ValidateAgainstSchemas/>
<w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid>
<w:IgnoreMixedContent>false</w:IgnoreMixedContent>
<w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText>
<w:DoNotPromoteQF/>
<w:LidThemeOther>EN-US</w:LidThemeOther>
<w:LidThemeAsian>JA</w:LidThemeAsian>
<w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript>
<w:Compatibility>
<w:BreakWrappedTables/>
<w:SnapToGridInCell/>
<w:WrapTextWithPunct/>
<w:UseAsianBreakRules/>
<w:DontGrowAutofit/>
<w:SplitPgBreakAndParaMark/>
<w:EnableOpenTypeKerning/>
<w:DontFlipMirrorIndents/>
<w:OverrideTableStyleHps/>
</w:Compatibility>
<m:mathPr>
<m:mathFont m:val="Cambria Math"/>
<m:brkBin m:val="before"/>
<m:brkBinSub m:val="--"/>
<m:smallFrac m:val="off"/>
<m:dispDef/>
<m:lMargin m:val="0"/>
<m:rMargin m:val="0"/>
<m:defJc m:val="centerGroup"/>
<m:wrapIndent m:val="1440"/>
<m:intLim m:val="subSup"/>
<m:naryLim m:val="undOvr"/>
</m:mathPr></w:WordDocument>
</xml><![endif]--><!--[if gte mso 9]><xml>
<w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
DefSemiHidden="true" DefQFormat="false" DefPriority="99"
LatentStyleCount="276">
<w:LsdException Locked="false" Priority="0" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Normal"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="heading 1"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/>
<w:LsdException Locked="false" Priority="39" Name="toc 1"/>
<w:LsdException Locked="false" Priority="39" Name="toc 2"/>
<w:LsdException Locked="false" Priority="39" Name="toc 3"/>
<w:LsdException Locked="false" Priority="39" Name="toc 4"/>
<w:LsdException Locked="false" Priority="39" Name="toc 5"/>
<w:LsdException Locked="false" Priority="39" Name="toc 6"/>
<w:LsdException Locked="false" Priority="39" Name="toc 7"/>
<w:LsdException Locked="false" Priority="39" Name="toc 8"/>
<w:LsdException Locked="false" Priority="39" Name="toc 9"/>
<w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/>
<w:LsdException Locked="false" Priority="10" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" Priority="0" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" Priority="0" Name="Body Text"/>
<w:LsdException Locked="false" Priority="11" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" Priority="0" Name="Hyperlink"/>
<w:LsdException Locked="false" Priority="22" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" Priority="59" SemiHidden="false"
UnhideWhenUsed="false" Name="Table Grid"/>
<w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/>
</w:LatentStyles>
</xml><![endif]-->
<!--[if gte mso 10]>
<style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Table Normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-parent:"";
mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
mso-para-margin:0cm;
mso-para-margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:10.0pt;
font-family:Times;}
</style>
<![endif]-->
<!--StartFragment-->
<!--EndFragment--></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: Times, Times New Roman, serif; font-size: x-small;">CR</span></b><span style="font-family: Times, Times New Roman, serif; font-size: x-small;">: I think
the difference is as much in the filming and editing of these moments as it is
in the level of <i>acting</i>. Ultimately
these two types of porn are made for very different reasons and thus what is
captured, or what is focused on, is not the same. As for professional hardcore
there is a crew of professionals, and the ultimate intent is to make a product
for distribution and sale. With amateur porn, I sense more an interest in the
exhibitionism of the “actors” as opposed to creating a finished product for an audience.
I find the camera angles are different and there seems to be less close-ups in
amateur porn so female ecstasy is portrayed somewhat differently, if at all.</span><span style="font-size: x-small;"><o:p></o:p></span></div>
www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-39951046494791449412008-12-31T13:35:00.000-08:002011-05-05T13:43:18.424-07:00Eclipse série16cm X 24.5cm<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-VtVqSh0tw3E/TcMKiKB_VhI/AAAAAAAABYY/aeyKzbjHPDE/s1600/Eclipse098.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="224" src="http://2.bp.blogspot.com/-VtVqSh0tw3E/TcMKiKB_VhI/AAAAAAAABYY/aeyKzbjHPDE/s320/Eclipse098.jpg" width="320" /></a><a href="http://2.bp.blogspot.com/-fbjHKVLSdpU/TcMKhGpjeWI/AAAAAAAABYU/4b2xLSTCKYQ/s1600/Eclipse106.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="224" src="http://2.bp.blogspot.com/-fbjHKVLSdpU/TcMKhGpjeWI/AAAAAAAABYU/4b2xLSTCKYQ/s320/Eclipse106.jpg" width="320" /></a></div><br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-Fugrfbg38U4/TcMKk9mXeFI/AAAAAAAABYg/QXLOGKQzjCQ/s1600/Eclipse095.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="224" src="http://3.bp.blogspot.com/-Fugrfbg38U4/TcMKk9mXeFI/AAAAAAAABYg/QXLOGKQzjCQ/s320/Eclipse095.jpg" width="320" /></a><a href="http://2.bp.blogspot.com/-hhCv2Yjn85M/TcMKjkCrMHI/AAAAAAAABYc/TUeCVwbOpwk/s1600/Eclipse097.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="224" src="http://2.bp.blogspot.com/-hhCv2Yjn85M/TcMKjkCrMHI/AAAAAAAABYc/TUeCVwbOpwk/s320/Eclipse097.jpg" width="320" /></a></div><br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-2NQ5mICrPWM/TcMKnlqOmYI/AAAAAAAABYo/xYI_vhSKCCQ/s1600/Eclipse089.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="224" src="http://3.bp.blogspot.com/-2NQ5mICrPWM/TcMKnlqOmYI/AAAAAAAABYo/xYI_vhSKCCQ/s320/Eclipse089.jpg" width="320" /></a><a href="http://3.bp.blogspot.com/-THsCrssn75o/TcMKmbIUMOI/AAAAAAAABYk/Bd8UeG1h2QI/s1600/Eclipse092.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="224" src="http://3.bp.blogspot.com/-THsCrssn75o/TcMKmbIUMOI/AAAAAAAABYk/Bd8UeG1h2QI/s320/Eclipse092.jpg" width="320" /></a></div><br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-8WuOHtGQUak/TcMKqaHFWYI/AAAAAAAABYw/cm3P6gqJVMU/s1600/Eclipse083.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="224" src="http://1.bp.blogspot.com/-8WuOHtGQUak/TcMKqaHFWYI/AAAAAAAABYw/cm3P6gqJVMU/s320/Eclipse083.jpg" width="320" /></a><a href="http://2.bp.blogspot.com/-ofKrOJ-XCe4/TcMKo5li0qI/AAAAAAAABYs/wvBPx6sh8Vo/s1600/Eclipse087.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="224" src="http://2.bp.blogspot.com/-ofKrOJ-XCe4/TcMKo5li0qI/AAAAAAAABYs/wvBPx6sh8Vo/s320/Eclipse087.jpg" width="320" /></a></div><br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-xMHEW_0WMzg/TcMKstTlTbI/AAAAAAAABY4/Ip6SUx0dtSU/s1600/Eclipse073.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="224" src="http://2.bp.blogspot.com/-xMHEW_0WMzg/TcMKstTlTbI/AAAAAAAABY4/Ip6SUx0dtSU/s320/Eclipse073.jpg" width="320" /></a><a href="http://1.bp.blogspot.com/-tGVG_PhoAzw/TcMKrri9VLI/AAAAAAAABY0/W7dIkA21T6s/s1600/Eclipse074.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="224" src="http://1.bp.blogspot.com/-tGVG_PhoAzw/TcMKrri9VLI/AAAAAAAABY0/W7dIkA21T6s/s320/Eclipse074.jpg" width="320" /></a></div><br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-LREAMz2SrJQ/TcMKvYmYJFI/AAAAAAAABZA/wAfmHaEICJM/s1600/Eclipse064.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="224" src="http://1.bp.blogspot.com/-LREAMz2SrJQ/TcMKvYmYJFI/AAAAAAAABZA/wAfmHaEICJM/s320/Eclipse064.jpg" width="320" /></a><a href="http://2.bp.blogspot.com/-UClWKUKsR8o/TcMKuJHH_0I/AAAAAAAABY8/H_lP_bibV3s/s1600/Eclipse071.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="224" src="http://2.bp.blogspot.com/-UClWKUKsR8o/TcMKuJHH_0I/AAAAAAAABY8/H_lP_bibV3s/s320/Eclipse071.jpg" width="320" /></a></div><br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/-_3NHvKS4G78/TcMKxxEVtNI/AAAAAAAABZI/x6i2hsE3pjI/s1600/Eclipse051.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="224" src="http://4.bp.blogspot.com/-_3NHvKS4G78/TcMKxxEVtNI/AAAAAAAABZI/x6i2hsE3pjI/s320/Eclipse051.jpg" width="320" /></a><a href="http://4.bp.blogspot.com/-TvYaCw4fhBM/TcMKwX-mOyI/AAAAAAAABZE/rdynFozXDMw/s1600/Eclipse063.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="224" src="http://4.bp.blogspot.com/-TvYaCw4fhBM/TcMKwX-mOyI/AAAAAAAABZE/rdynFozXDMw/s320/Eclipse063.jpg" width="320" /></a></div><br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-JhQ4jBIoDYk/TcMKzxZlYWI/AAAAAAAABZQ/YN6gC68rLzg/s1600/Eclipse037.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="224" src="http://1.bp.blogspot.com/-JhQ4jBIoDYk/TcMKzxZlYWI/AAAAAAAABZQ/YN6gC68rLzg/s320/Eclipse037.jpg" width="320" /></a><a href="http://1.bp.blogspot.com/-3cZUuDoABPo/TcMKy_7CRrI/AAAAAAAABZM/8gdHFHNb82Q/s1600/Eclipse049.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="224" src="http://1.bp.blogspot.com/-3cZUuDoABPo/TcMKy_7CRrI/AAAAAAAABZM/8gdHFHNb82Q/s320/Eclipse049.jpg" width="320" /></a></div><br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-XXEP5nF6MDs/TcMK2Psa3rI/AAAAAAAABZY/PgyQ9rqgU3Q/s1600/Eclipse035.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="224" src="http://2.bp.blogspot.com/-XXEP5nF6MDs/TcMK2Psa3rI/AAAAAAAABZY/PgyQ9rqgU3Q/s320/Eclipse035.jpg" width="320" /></a><a href="http://3.bp.blogspot.com/-cBiT0L8mELE/TcMK08xpP1I/AAAAAAAABZU/yTwe9KbyjYg/s1600/Eclipse036.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="224" src="http://3.bp.blogspot.com/-cBiT0L8mELE/TcMK08xpP1I/AAAAAAAABZU/yTwe9KbyjYg/s320/Eclipse036.jpg" width="320" /></a></div><br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-V3KLMWtIhko/TcMK4dR7zGI/AAAAAAAABZg/xFL6WiuPBg0/s1600/Eclipse028.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="224" src="http://1.bp.blogspot.com/-V3KLMWtIhko/TcMK4dR7zGI/AAAAAAAABZg/xFL6WiuPBg0/s320/Eclipse028.jpg" width="320" /></a><a href="http://3.bp.blogspot.com/-4QYwFx6wxsc/TcMK3erIbTI/AAAAAAAABZc/4kxki7lEZfY/s1600/Eclipse029.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="224" src="http://3.bp.blogspot.com/-4QYwFx6wxsc/TcMK3erIbTI/AAAAAAAABZc/4kxki7lEZfY/s320/Eclipse029.jpg" width="320" /></a></div><br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-9J6-wN0K05U/TcMK7TT-KMI/AAAAAAAABZo/S60Hy0naM5Q/s1600/Eclipse011.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="224" src="http://3.bp.blogspot.com/-9J6-wN0K05U/TcMK7TT-KMI/AAAAAAAABZo/S60Hy0naM5Q/s320/Eclipse011.jpg" width="320" /></a><a href="http://4.bp.blogspot.com/-uEkt-4fXgXo/TcMK6Gf3bOI/AAAAAAAABZk/wQETAXFyKM4/s1600/Eclipse021.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="224" src="http://4.bp.blogspot.com/-uEkt-4fXgXo/TcMK6Gf3bOI/AAAAAAAABZk/wQETAXFyKM4/s320/Eclipse021.jpg" width="320" /></a></div><br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-vYDzmOfb6Zg/TcMK87_NsFI/AAAAAAAABZs/hoJY8FY1TEk/s1600/Eclipse006.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="224" src="http://3.bp.blogspot.com/-vYDzmOfb6Zg/TcMK87_NsFI/AAAAAAAABZs/hoJY8FY1TEk/s320/Eclipse006.jpg" width="320" /></a></div>www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-47386588710877426282008-06-03T07:58:00.000-07:002011-04-04T13:47:05.707-07:00Déviations<div style="text-align: center;"><div style="text-align: left;">documentation : WARC Gallery 2008/11/01-2008/11/30<br />
<br />
</div><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dy4IStnaMdMfJrHKicSkNxng1RX4b8zg0vMs7TR8iG37VGOMOqiOSt-Po71Y-S5ZX30xxsKLDITaY3mZGmtyg' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><span style="font-style: italic;">version française suit ...</span><span style="font-weight: bold;"><br />
</span><span style="font-weight: bold;">Deviations </span><span style="font-style: italic;">is a multi-media installation that explores the blurred lines between reality and fictional, me</span><span style="font-style: italic;">mory and loss. Taking </span><span style="font-style: italic;">as a point of departure an intervention realized in June 2007 where the artist cycled over 1600 km between Venice, Basel, Kassel and Muenster attended the opening days of each of four international artistic events the project seeks to create a non-linear, fragmentary travelogue. En route, Rondeau documented (using still photography, video and blog) her experiences. These documents were uploaded daily to World Wide WARC <a href="http://artride2007.blogspot.com/">web site</a>. A virtual space hosted </span><span style="font-style: italic;">by Women’s Art Resource Centre in Toronto. Drawing on both original video, photo a</span><span style="font-style: italic;">nd ephemera collected during the Art Ride intervention along with found footage from popular culture </span>Deviations<span style="font-style: italic;"> is a psychological mapping of the artist’s emotional and economic ups and downs while in transit between four cultural events of global profile. A blend of personal stories is interlaced with spurious accounts, creating a layered narrative of alteration and e</span><span style="font-style: italic;">xaggeration that is a vacillation of the diaristic, documentary and fantasy.</span><br />
<span style="font-style: italic;">The artist would like to acknowledge the Ontario Arts Council for production support in the realization of this project.</span><br />
-----<br />
<span style="font-style: italic; font-weight: bold;">Déviations</span> est une installation qui explore les interférences entre le réel et la fiction, la mémoire et la perte. Pour ce faire, l’artiste a pris comme point de départ une intervention réalisée en juin 2007 où elle a, pendant douze jours, parcouru environ 1600 km en vélo pour joindre Venise, Bâle, Kassel et Münster, afin de visiter les quatre grands événements artistiques de l’été. Tout au long du parcours, elle a documenté son trajet via vidéo, photos et textes. À la fin de chaque journée, ces documents ont été téléchargés sur un blogue hébergé sur le site internet <a href="http://artride2007.blogspot.com/">World Wide WARC</a>. En entremêlant des extraits vidéos tirés de films populaires avec le produit original — séquences vidéos, photos, le journal de bord ainsi que des items éphémères — recueillis tout au long de l’intervention, <span style="font-style: italic;">Déviations</span> trace les hauts et les bas psychologiques et émotionnels de l’artiste en transit entre ces quatre grands événements artistiques. Rondeau entrelace les comptes personnels avec ceux des autres, vrais ou faux, pour réaliser une histoire en plusieurs couches, enchevêtrée de faits, d’altérations, d’exagérations et de contrevérités qui vacille entre le journal intime, le documentaire et le fantasme.<br />
L’artiste remercie le Conseil des arts de l’Ontario pour leur appui dans la production de cette oeuvre.<br />
<br />
<div style="text-align: center;"><div style="text-align: center;"><a href="http://4.bp.blogspot.com/_VtVLeJYjwio/SVr2A-zQdrI/AAAAAAAAAXs/X0Mml2ahb-w/s1600-h/TriptychSm.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5285807609391118002" src="http://4.bp.blogspot.com/_VtVLeJYjwio/SVr2A-zQdrI/AAAAAAAAAXs/X0Mml2ahb-w/s320/TriptychSm.jpg" style="cursor: pointer; float: left; height: 152px; margin: 0pt 10px 10px 0pt; width: 320px;" /></a></div><br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
</div>www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-61173268995289286982008-06-02T23:56:00.000-07:002011-02-10T05:18:27.595-08:00Cycles<div style="text-align: center;"><a href="http://www.cherylrondeaucycles.com/2008/09/cycles.html" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5207805574436777634" src="http://1.bp.blogspot.com/_VtVLeJYjwio/SEXXk-uabqI/AAAAAAAAAIk/1lhLl-nnQ7M/s400/CyclesGraphicCarteE.jpg" style="height: 267px; width: 256px;" /></a></div><div style="text-align: center;"><span style="font-style: italic;">physical and virtual </span><br />
intervention<br />
physique et virtuelle<br />
<a href="http://www.cherylrondeaucycles.com/"></a><a href="http://www.cherylrondeaucycles.com/2008/09/cycles.html">www.cherylrondeaucycles.com</a></div><br />
<span style="font-style: italic;">English version follows ...</span><br />
<br />
En réponse au croisement, en l’espace de quelques jours, des cérémonies d’ouverture de deux événements culturels majeurs à Sudbury, <a href="http://www.gn-o.org/programmation/sensetmouvance">FAAS</a> ou la Foire d’art alternatif de Sudbury, et le <a href="http://lesalondulivre.ca/index_sudbury.html">Salon du Livre du Grand Sudbury</a>, Cheryl Rondeau réalisera une intervention s’inscrivant dans son exploration continue de l’intersection du monde de l’art et du quotidien. Du 3 au 6 mai 2008, elle parcourra en quatre étapes 600 km en vélo, de Toronto à Sudbury, ralliant ainsi symboliquement et physiquement les centres culturels anglophone et francophone de l’Ontario. Cette épreuve d’endurance se conclura à Sudbury avec une tournée des lieux d’expositions du <a href="http://www.gn-o.org/programmation/sensetmouvance">FAAS</a> et du Salon du livre du Grand Sudbury.<br />
Munie de l’équipement d’un randonneur, d’un carnet, d’une caméra et d’un appareil photographique, Cheryl Rondeau tentera de décrire ses trouvailles et de tracer son parcours. Utilisant à la fois la photo accélérée, la vidéo et le récit, elle produira des esquisses de la géographie de l’expérience et de la multiplicité des espaces interstitiels entre ces deux centres culturels.<br />
Le public pourra suivre son voyage en temps/espace réel ou virtuel. Les routes et l’horaire de chacune des étapes seront publiés à l’avance dans l’internet pour les gens qui seraient intéressés à accompagner l’artiste dans son parcours. Pour les internautes, à la fin de chaque étape, Rondeau partagera ses expériences de route en téléchargeant des éléments visuels et textuels sur son <a href="http://www.cherylrondeaucycles.com/2008/09/cycles.html">blogue</a>.<br />
L’épreuve de l’endurance physique est centrale au thème du projet. L’emploi du corps dans le déplacement, son intégration emphatique dans le terrain, propose une interrogation sur nos perceptions du temps et de l’espace dans un monde devenant de plus en plus petit à cause du cyberespace et des voyages par voie aérienne. Les frontières et la géographie disparaissent de nos mémoires collectives. Avec cette intervention physique et virtuelle, Cheryl Rondeau poursuit son enquête sur les relations entre l’espace et le corps, le geste et l’individu, ainsi que la rupture entre le vécu et sa représentation, afin de voir et penser autrement.<br />
Cheryl Rondeau souhaite remercier : Rachelle Bergeron, William Huffman, Joseph Mansourian, Monique Mathew, Darlene Naponse, Niki Naponse, Nicole Poulin, Guylaine Tousignant, Danielle Tremblay, le Salon du livre du Grand Sudbury, Pine Needle Blankets Productions et la Galerie du Nouvel-Ontario.<br />
------<br />
<span style="font-style: italic;">In response to the opening of two major cultural events in Sudbury, within days of each other - <a href="http://www.gn-o.org/programmation/sensetmouvance">Fair of Alternative Art Sudbury</a> (FAAS) and <a href="http://lesalondulivre.ca/index_sudbury.html">Salon du Livre du Grand Sudbury</a> - Cheryl Rondeau will realize an intervention that continues her exploration of the intersection between the artworld and the everyday. From 3 to 6 May 2008, she will conduct an expedition by bicycle of approximately 600 km from Toronto to Sudbury – symbolically and physically linking the Ontario’s anglophone and francophone cultural centres. Upon arrival in Sudbury, this endurance initiative will culminate in a tour of the FAAS exhibition sites and Salon du Livre. </span><br />
<span style="font-style: italic;">Loaded with randonneur equipment, cameras and notebook, Rondeau will endeavour to log her trouvailles and map out her parcours. Using video and time-lapse imagery to record the geography of the experience and the multiplicity of interstitial spaces between these two cultural spaces. </span><br />
<span style="font-style: italic;">The public is invited to join the artist in real space or virtually. The Routes for each stage of the tour will be published in advance on the internet inviting those interested in participating to join the project. The public is invited to ride alongside the artist and at any stage and for any length of distance. For those on the internet, Rondeau will share daily experiences by uploading visual and textual elements on to <a href="http://www.cherylrondeaucycles.com/2008/09/cycles.html">her blog</a>.</span><br />
<span style="font-style: italic;">Physical endurance will form a central theme of the project. The use of the body in the artist’s displacement, its emphatic integration in the terrain, proposes a questioning of our perceptions of time and space in a world constantly shrinking within the virtual realm of cyberspace and ever-increasing air travel. Borders and geography are collapsed, disappearing from our collective memory. With this physical and virtual intervention Cheryl Rondeau pursues an investigation of the relationships between space and the body, gesture and the individual as well as the rupture between lived experience and its representation, so as to see and think differently.</span><br />
<span style="font-style: italic;">Cheryl Rondeau would like to thank Rachelle Bergeron, William Huffman, Maria Legault, Joseph Mansourian, Monique Mathew, Darlene Naponse, Niki Naponse, Nicole Poulin, Guylaine Tousignant, Danielle Tremblay, le Salon du Livre du Grand Sudbury, Pine Needle Blankets Productions et la Galerie du Nouvel-Ontario.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
</span>www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.comtag:blogger.com,1999:blog-702002010839402511.post-70737624780064432662008-06-02T23:23:00.000-07:002011-11-22T11:14:39.047-08:00Eclipse<div style="text-align: center;"><a href="http://3.bp.blogspot.com/_VtVLeJYjwio/SEXg4euabzI/AAAAAAAAAJs/LRsWirwaegU/s1600-h/Eclipse006a.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5207815805048876850" src="http://3.bp.blogspot.com/_VtVLeJYjwio/SEXg4euabzI/AAAAAAAAAJs/LRsWirwaegU/s200/Eclipse006a.jpg" style="cursor: pointer;" /></a><a href="http://3.bp.blogspot.com/_VtVLeJYjwio/SEXgweuabyI/AAAAAAAAAJk/u8CJGaDDZm0/s1600-h/Eclipse083a.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5207815667609923362" src="http://3.bp.blogspot.com/_VtVLeJYjwio/SEXgweuabyI/AAAAAAAAAJk/u8CJGaDDZm0/s200/Eclipse083a.jpg" style="cursor: pointer;" /></a><a href="http://4.bp.blogspot.com/_VtVLeJYjwio/SEXgpuuabxI/AAAAAAAAAJc/wmUTAun5Eg4/s1600-h/Eclipse098a.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5207815551645806354" src="http://4.bp.blogspot.com/_VtVLeJYjwio/SEXgpuuabxI/AAAAAAAAAJc/wmUTAun5Eg4/s200/Eclipse098a.jpg" style="cursor: pointer;" /></a></div><br />
<span style="font-style: italic;">15 sec. Preview</span><br />
<div style="text-align: center;"><iframe allowfullscreen="" frameborder="0" height="349" src="http://www.youtube.com/embed/kGvAIAiKdtc?hl=en&fs=1" width="425"></iframe></div><span style="font-style: italic;">version française suit ...</span><br />
<span style="font-weight: bold;">Eclipse</span><span style="font-style: italic;"> is a two channel, video loop, installation and presents a series of brief portraits of women in the throes of ecstasy, all taken from erotic films. These short vignettes are rhythmic and fleeting, dissolving into each other. </span><br />
<span style="font-style: italic;">Eclipse is the final installment of a video trilogy, entitled </span><span style="font-weight: bold;">Les Documents</span><span style="font-style: italic;">, that uses segments of footage appropriated from film and television to explore associations, implications and semiotics relating to a common cinematic gesture. The work activates our existing relationship with</span><span style="font-style: italic;"> the moving picture in entertainment and amplifies the populist recognition of stereotypical situations and roles inhabited by females. Characterized by heavy manipulation and drastic reframing, the images and accompanying soundscape, articulate an atmosphere of anxiety and destabilization – serving to create a new encounter with our memory and expectations of the filmic genres. </span><br />
<span style="font-style: italic;">The artist would like to acknowledge the Ontario Arts Council, Le Laboratoire d’art and Pine Needle Blankets Productions for production support in the realization of this project.<br />
</span>-----<br />
<span style="font-style: italic; font-weight: bold;">Eclipse</span> est comme une installation vidéo de deux projections en boucle est composée d’une centaine de portraits de femmes dans les affres de la jouissance, tous tirés des films érotiques. Caractérisés par des transitions en fondus enchaînés, les portraits sont furtifs et cadencés.<br />
Eclipse est la dernière partie d’une trilogie vidéographique, intitulée <span style="font-style: italic; font-weight: bold;">Les Documents</span>, qui utilise des images empruntées au cinéma et la télévision pour explorer des associations, implications et sémiotiques relatant à un geste cinématographique commun. L’oeuvre déclenche nos relations existantes aux images de l’industrie du spectacle et amplifie les rôles stereotypés des femmes. Par la pratique du montage, la manipulation numérique, et la répétition le récit est interrompu pour souligner les contructions idéologiques constitutives du cinema populaire. Accompagnée d’une trame sonore sombre soigneusement manipulée et reconstruite, cette oeuvre produit un atmosphère d’inquiétude et de déstabilité afin d’offrir une nouvelle rencontre entre notre mémoire et nos attentes du genre filmique.<br />
L’artiste remercie le Conseil des arts de l’Ontario, le Laboratoire d’art et Pine Needle Blankets Productions pour leur appui dans la production de cette oeuvre.<br />
<br />
<span style="font-style: italic;"><br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
</span>www.cherylrondeau.comhttp://www.blogger.com/profile/02567451395535332473noreply@blogger.com